Posts Tagged ‘year’

Korea Box Office: ‘Assassination’ Shoots Top Spot

July 27, 2015  |  Variety  |  No Comments

Star-studded period action drama “Assassination” hit its target and achieved the highest scoring opening this year by a Korean film.

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Tokyo Festival to Showcase Iconic ‘Mobile Suit Gundam’

July 25, 2015  |  Variety  |  No Comments

Iconic Japanese robot-themed animation Mobile Suit Gundam will be given pride of place this year at October’s edition of the Tokyo International Film Festival

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How to Be Unstoppable: Inside the Creative Mind of Mindy Kaling

July 20, 2015  |  Media Week  |  No Comments

Earlier this year, in her well-received Super Bowl ad for Nationwide, Mindy Kaling thought she might be invisible. Hardly. As one of Hollywood's major creative forces, she's never been more prolific. The actress and writer—and cover star of Adweek's Creative 100 —voices the character Disgust in Inside Out, Disney/Pixar's summer blockbuster that is already the year's fourth highest grossing film, raking in $300 million and counting. Her critically acclaimed TV comedy The Mindy Project, which she created, writes and stars in, was snapped up by Hulu in May, shortly after Fox passed on it. It will return for Season 4 in September, right around the Sept. 15 release of her second book, Why Not Me? Besides Nationwide, the alum of NBC's The Office also starred in a high-profile American Express campaign this year that celebrated her status as an "unlikely leading lady." Before diving into production on Season 4, Kaling talked with Adweek about the creative challenges of juggling so many projects and the family tragedy that drives her. Adweek: When Fox didn't pick up The Mindy Project, were you certain you'd find another home? Kaling: I have always been an optimist. I refuse to create things under the assumption of failure. So I thought that the best thing for the story creatively was to end last season on a cliffhanger, and it's a fun way to get people back.

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Cannes: Variety Critics on the Films They Can’t Miss

May 12, 2015  |  Variety  |  No Comments

Variety critics Justin Chang, Peter Debruge and Scott Foundas weigh in on their must-see movies at this year’s Cannes Film Festival (in as brief a manner as possible). (Click image for large preview.)

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Q&A: CW President Mark Pedowitz Gets Guys

May 7, 2015  |  Media Week  |  No Comments

For much of its existence, The CW has been shunted off to the side by its bigger, and more popular, broadcast siblings. Launched in 2006 when UPN and The WB combined forces, The CW's tiny audience is usually relegated it to a mere footnote when compared to the likes of CBS, NBC, Fox and ABC. But The CW has suddenly become a broadcaster to be reckoned with, thanks to its two freshman hits: The Flash, which is already most-watched show in The CW's history and the critically-acclaimed Jane the Virgin, which nabbed the network its first-ever Peabody Award and Golden Globe wins. Along with Arrow, The Vampire Diaries and Supernatural, the shows have led The CW to its most-watched season since 2007-2008, and increases this season on four of The CW's five nights of programming (only Thursdays, thanks to ABC's unstoppable lineup of Shonda Rhimes shows, has taken a hit). More proof of the network's broadening audience: its median age is now 43, up from 37 three years ago, and the audience is now 45 percent male, versus 35 percent male three years ago. CW president Mark Pedowitz is also using the network's digital arm, CW Seed, to develop new comedies for the network. In a Q&A ahead of next week's upfronts, Pedowitz talked about the advantages of aging up the network, wooing new advertisers and how Doctor Who inspired his crossover strategy. The CW audience is now almost 45 percent male. What shows are most responsible for adding men? It's The Flash, Arrow, The 100 and Supernatural. Had you been actively pursuing a male audience with those shows? We recognize that when Smallville went off the air [in 2011] we lost a boatload of men. So this was a thoughtful, executed piece of a strategy to balance it out a little more

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Cannes: Miguel Gomes’ ‘Arabian Nights’ to Screen in Directors’ Fortnight

April 18, 2015  |  Variety  |  No Comments

“Arabian Nights,” a three-part, six-hour-plus drama from the Portuguese director Miguel Gomes (“Tabu”), will make its world premiere in the Directors’ Fortnight section of the Cannes Film Festival, the Fortnight has announced. Likely to clock in as the longest entry at Cannes this year, the film was apparently highly regarded by the official selection committee and had... Read more

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Tribeca Film Review: ‘The Adderall Diaries’

April 18, 2015  |  Variety  |  No Comments

James Franco works so prolifically these days that he's bound to repeat himself now and again: In "The Adderall Diaries," for example, he chalks up his second performance this year as an emotionally and creatively blocked writer.

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Eddie Murphy to Receive Kennedy Center’s Mark Twain Prize

April 9, 2015  |  Variety  |  No Comments

WASHINGTON — Comedian Eddie Murphy has been tapped by the Kennedy Center to receive this year’s Mark Train Prize for American Humor. Award will be presented Oct. 18 at a Kennedy Center event to be taped for later broadcast. A gaggle of top entertainers is again expected to assemble for a celebratory roasting and video... Read more

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Why Streaming Service Crackle Ditched the NewFronts for the Upfronts

April 9, 2015  |  Media Week  |  No Comments

Xbox, Kindle Fire, Roku, Smart TV—no matter what device you have, you can find Crackle on it. Each month, 18 million users in the U.S. access the Sony-owned, advertiser-supported streaming network to watch a selection of movies and TV shows, as well as a growing number of original series, including Jerry Seinfeld's Comedians in Cars Getting Coffee. But Crackle still has a bit of an identity crisis as it looks to make a name for itself among the likes of Netflix and Amazon. After an erroneous New York Post report in December indicated that Sony—at the time under siege from hackers and seeking alternative distribution for its controversial comedy The Interview—would be releasing the film for free on Crackle, most people said, "What's Crackle?" (In the end, Crackle landed rights to the film next year in the first ad-supported window.) Crackle's general manager and evp Eric Berger, who's also general manager of digital for Sony Pictures Television, is trying to change that. He's taking big swings like commissioning Joe Dirt 2: Beautiful Loser—the first digital sequel to a movie—and pushing original series like the drama Cleaners, starring David Arquette and Gina Gershon, and the thriller Chosen, starring Chad Michael Murray and Rose McGowan. And in his loudest statement yet, he's moved Crackle out of the NewFronts and into the upfronts for the first time this year: on April 14, it will become the first streaming network to present at the upfronts. On the eve of Crackle's first upfront, Berger talked about his bold move, what really happened with The Interview and meeting the challenge of raising Crackle's profile.

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Will 2015 Finally Be the Year of Women at the Movies?

April 1, 2015  |  Variety  |  No Comments

Hollywood has long treated actresses like second-class citizens, but 2015 could finally be a turning point. Only three months into the new year, two of the three top-grossing films have been headlined by strong female characters: Universal’s “Fifty Shades of Grey” starring Dakota Johnson (with a worldwide gross of more than $550 million), and Disney’s... Read more

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