Longtime Wall Street Journal reporter Ben Worthen is joining Sequoia Capital as head of content to work with its startups, including on improving its blogs, social media and video. The Silicon Valley venture firm confirmed the move by Worthen, who has covered tech for 13 years, most recently focused on enterprise software.
Read MoreThey used to be uniformly crude and unappealing, but the ads found within free-to-play video games are (slowly but surely) maturing. At GDC today, Zynga’s ad platform director, Joshua Burgin, said the next step in their evolution may include more unskippable videos. Burgin was joined at the conference by Zynga’s head of ad sales marketing, Jeff Colen, who provided an overview of how in-game ads have changed since 2008, when the young Zynga largely focused on “offerwalls” (e.g., before we take you to the game, why not sign up for this service?). Today, he said, the gaming audience is broad, and video is key. “In those spreadsheets that media planners at [advertising] agencies have, all of them have a video bucket,” Colen said. Burgin took the mic to talk about how to implement ads, noting that customers are now accustomed to ads as a trade-off for playing a game for free. “Although they might complain — and that’s fun — they rarely leave.” Provided, that is, that game developers honor the unwritten “player contract” that governs when it’s okay for advertising to intrude upon the game experience. Toward the end of the talk, Burgin suggested that unskippable video ads have a lot of untapped potential, and that if a game is good, players are more tolerant of them than one might expect. On mobile devices, he said, developers have been more cautious because players either have to watch through the ad or quit the game. However, he said having a character that players have already “met” introduce video ads makes the transition easier — not unlike how some old TV shows used to have their stars hand off control of the screen to “our sponsors.” Burgin also noted that ads served through mobile push notifications are worthy of experimentation, but that “you have to be really careful about burnout” since annoying notifications may lead to players turning them off entirely. And he urged caution on games that “cross-promote” other games, unless the developers (like, say, Zynga) already have a stable of interlinked games to point to. “As a small publisher, it might be a necessary evil,” Burgin said. “If you’re telling people to go to another game, there’s a chance they might not come back.”
Read MoreHere's some new data sure to stir the debate over the impacts of media and entertainment violence on children. A new survey from the Federal Trade Commission found that more retailers and movie theaters are enforcing age-based content ratings by turning kids away. Even though the FTC sees improvement here, the results will probably do little to quell attacks on the entertainment and media industries for allowing some violent and mature content to get into kids' hands.
Read MoreWhen we heard about a project that pairs Israeli and Palestinian teens to learn about tech and business, we were immediately intrigued. After learning more, we made MEET (Middle East Empowerment Through Technology) one of the original Global Voices at the D: Dive Into Mobile event scheduled for last fall. Well, MEET has reached the attention of President Obama, who referenced the program Thursday while in Israel encouraging greater cooperation. “That is the kind of relationship that Israel should have — and could have — with every country in the world. Already, we see how that innovation could reshape this region,” Obama said. “One program here in Jerusalem brings together young Israelis and Palestinians to learn vital skills in technology and business.” Responded Noa Epstein, the co-CEO of MEET, in an email to AllThingsD , “We are proud and honored to have MEET’s work recognized by President Obama and are strengthened by his commitment to creating a better future for Palestinians and Israelis through empowering and connecting young change makers from both sides through the common language of innovation, technology and entrepreneurship.” MEET pairs Israeli and Palestinian high school students together over several summers and during the school year to learn about technology and ultimately create their own endeavor. The group’s big appearance on the D stage got washed out by Hurricane Sandy, but the MEET folks (who like us were stuck in Manhattan) sat down for an interview . And, by the way, if you are looking for more inspiration, President Obama, we’ll have a new crop of Global Voices at our rescheduled Dive Into Mobile event April 15-16 in New York. Here’s the video of Obama mentioning MEET. And here’s our interview with the organizers and two MEET participants from last fall. [ See post to watch video ]
Read MoreI also saw the trend of video, and realized there were problems with it, because it was really hard to discover the video that would be really important to you. I was going to YouTube, where there are probably thousands of hours of stuff that would be important to me, but I could never discover it in that vast ocean. So we decided we would start sort of a Pandora for video. –Newark mayor Cory Booker on his video startup Waywire
Read MoreHere are two promo videos for the upcoming MTV Movie Awards, each starring the fantabulous Rebel Wilson, who will host the show. Personally, I would watch her read a phone book. Enjoy: Get More: 2013 MTV Movie Awards , Latest Movie News , Rebel Wilson Get More: 2013 MTV Movie Awards , Latest Movie News , Rebel Wilson , Channing Tatum
Read MoreAndy Forssell's appointment as interim CEO at Hulu isn't necessarily a surprise, but it does suggest that Hulu is worried about one thing and one thing only at the moment: license agreements. Forssell's previous post at the digital video giant was svp of content acquisition and distribution; for all the company's trumpeting its in-house material, its bread and butter is and may always be over-the-top content from partners Disney, NBCUniversal, and News Corp. Disney and News are "currently finalizing their forward-looking plans," according to an email to staffers from Jason Kilar, the outgoing CEO, which can't be something Forssell relishes inheriting from his old boss. Still, it makes sense to put him in the driver's seat: in his previous position, Forssell would have overseen content license fees, windows for new shows, and embeddable content—all the stuff that makes Hulu a better proposition for major media (including CBS, though the network doesn't have a stake in the company, opting instead to split ad rates and simply distribute) than YouTube. "Andy exemplifies the Hulu culture and has been central to Hulu’s journey, helping to grow this company from 2 content partners and no revenue to over 450 content partners and approximately $700 million revenue in 2012," said Kilar in an email praising his successor. "In his role, Andy has built strong relationships with many of our Board members. Andy has the Board’s strong support in leading the team during this important time." He'd better hope so—run well, Hulu is essentially a license to print money
Read MoreThis video from Cracked.com is very, very funny. Especially, the irritating Google guy. If Famous Websites Were People — powered by Cracked.com
Read MoreIf you want a very good idea of what Twitter’s music app will look like, you should check out Casey Newton’s detailed report at CNET . Back? OK. Here are a few more details I’ve gleaned from people familiar with Twitter’s plans for the app: SoundCloud and iTunes won’t be the only third-party services integrating into the app. Twitter would like multiple companies to participate, and has signed on at least one: Music video service Vevo will display its clips on the app, using a Twitter-built player. Those Vevo videos are also likely to be the only way you can hear full songs from acts you’ve heard of when you use the app. SoundCloud has the ability to play lots of music, but for the most part it can’t play songs owned by the big music labels and publishers; Apple can only offer up partial clips of the songs in its music stores. And music-only services that do have licenses for complete songs, like Spotify, generally don’t have the ability to play them on third-party apps.* So for now, at least, the emphasis on the app will be about sampling. While Twitter purchased music discovery startup We Are Hunted to design the app, this isn’t like Vine , where Twitter bought an existing product and added it to its portfolio . This one has been spearheaded internally by Kevin Thau, Twitter’s first business development head . Thau’s Twitter profile no longer identifies his job at the company, and he no longer has a LinkedIn listing, either. But I’m told he’s been running a sort-of-secret “skunkworks” for Twitter for some time, and this project is either the result or part of it. Silky smooth
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