Posts Tagged ‘social’

Hot List: What Are the Best Shows of 2015? Vote Your Picks for TV and Streaming

October 1, 2015  |  Media Week  |  No Comments

Whether you stream your shows or tune in live, it's been a huge year for TV in all its forms. But what truly rose to the top? There were big network hits like Empire, highly anticipated spinoffs like Fear the Walking Dead and breakout streaming successes like Narcos. But when it comes to the Adweek Hot List Readers' Choice Awards, your picks are what matter most. Vote below as often as you'd like through Nov. 23. The winners will be revealed on Nov. 30. And your favorites are... Hottest Show of the Year Hottest Comedy Hottest Drama Hottest Reality or Competition Series Hottest Late Night Host Hottest Broadcast Network in Prime Time Hottest Network - Comedy Hottest Network - Drama Hottest Sports Network Hottest News Network Hottest Family Network Hottest Show on Social Media Hottest Kids Show Hottest Movie or Miniseries Hottest New Series Hottest Streaming Service Want to keep voting? Vote for the Digital Hot List > Vote for the Print Hot List >

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Marsh Broflovski Cartman & McCormick: If South Park Were an Ad Agency

September 14, 2015  |  Media Week  |  No Comments

South Park begins its 19th season on Wednesday, which makes it older than plenty of notable ad agencies. (Droga5 isn't even 10 yet.) To celebrate the never-endingly awesome Comedy Central cartoon, Brooke Wylie, a copywriter at Denver agency Faction, imagined if South Park were an ad agency. Check out the results below—with Wylie's illustrations and write-ups. You might not hire them, but they'd probably produce some unforgettable work. Picture this.

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Orange Is the New Black Star Pablo Schreiber on the Perils of Live-Tweeting

August 31, 2015  |  Media Week  |  No Comments

Specs Age 37 Claim to fame Emmy Award nominee for his role as George "Pornstache" Mendez on Netflix's Orange Is the New Black ; star of HBO's The Brink; appears in the Michael Bay film 13 Hours: The Secret Soldiers of Benghazi (in theaters Jan. 15) Base New York Twitter @schreiber_pablo Adweek: What's the first information you consume in the morning? Pablo Schreiber: The first information I consume in the morning is no information. I think it's really important to reset the brain in the morning. We get bombarded so much in our daily lives, so the first thing I do when I wake up is meditate.

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Sponsors Line Up for BET Awards, ‘the Biggest Entertainment Weekend in Black America’

June 17, 2015  |  Media Week  |  No Comments

A number of major brands—Coca-Cola, Cricket Wireless, Domino's, Macy's, McDonald's, Nissan, Samsung, State Farm, Verizon and the U.S. Army—are signed on for the 15th anniversary of the BET Awards and the weekend-long BET Experience, or what sales chief Louis Carr calls the "biggest entertainment weekend in black America." The three-day festival of music and comedy takes place June 25-28 at Club Nokia and the Staples Center in Los Angeles, and is capped by the awards, airing 8 p.m. ET June 28 on the cable network. "However you cut it, looking at numbers or the social media, there is no other weekend where African Americans engage with this type of scale," Carr says. "The sponsors continue to grow, and we're just super excited about next week. "The preeminent brand in black media," as Carr calls it, even has the country's two biggest wireless companies sponsoring different parts of the weekend. AT&T-owned Cricket Wireless will sponsor a new category called the FANdemonium Award along with the live After Party Post Show, while Verizon will sponsor a red carpet Periscope livestream. "They both live in the same neighborhood, and they've been able to function without any conflicts in the past," Carr says. And if you check out the live stream, you'll notice Nissan's new 2016 Maxima parked front and center. Domino's is sponsoring the countdown clock during the Red and Ready Pre-Show. "When you look at the BET Awards in our 15th year, and look at the success we've had over the years, it really makes advertisers very attractive," Carr said. Coke has been associated with the BET Awards since the beginning. This year the company is sponsoring a user-generated contest. The winner of the #BETInstaStar contest will be flown to Los Angeles to attend the show and present the Coca-Cola Viewers' Choice Award on-air. State Farm will once again sponsor the Humanitarian Award.

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Millennials Favor Facebook Over TV for Political News

June 1, 2015  |  Media Week  |  No Comments

In Republican years and Democratic years, local television stations have always emerged as winners. The 2014 midterm election delivered an estimated $2.4 billion to local stations, as candidates and political action committees bought time for federal, state and local races. As stations gear up for a presidential election cycle—and the cash it will bring—a new report released Monday by the Pew Research Center suggests a sea change ahead, that could send much of that ad spending to social media. "When it comes to where younger Americans get news about politics and government, social media look to be the local TV of the millennial generation," said Amy Mitchell, director of journalism research at Pew. The report, Millennials and Political News , was based on an online survey of nearly 3,000 people. Millennials reported little interest in following their parents' habit of turning to local television for political coverage—and the advertising that traditionally fills commercial breaks in election years. Sixty percent of baby boomers trust local TV for political news, but the same percentage of millennials opt for Facebook. That shift presents challenges for campaigns and elected officials, as well as for advertisers and station groups. "We are only beginning to understand the complex interactions of personal choice, friend networks and algorithms in the social media space," said Mitchell. "As the research continues, these data suggest there are fundamental differences in the ways younger and older generations stay informed about political news."

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USA’s Ad Campaign for Its Hacker Drama Mr. Robot Doesn’t Mince Words

May 1, 2015  |  Media Week  |  No Comments

The marketing department at USA Network must have been worried people would think the lead character of its new hacker drama was pro-establishment—because the posters for the show, Mr. Robot, are anything but subtle. "F*ck Wall St.," "F*ck Social Media, "F*ck Society" and "F*ck the System" reads pretty much the only copy in four blustery ads that can't but evoke FCUK, except that the guy in the images, actor Rami Malek, is wearing the Mark Zuckerberg anti-fashion uniform of a hoodie (even though it turns out Facebook is now, apparently, officially The Man). USA deserves credit for not mincing words, and speaking truth to power, especially about the whole finance thing, given the sorry state of affairs—parent company NBCU's parent company Comcast has a market cap of only $149 billion. But at least in the trailer, there seems to be some grand Robin Hood caper brewing, toward the mass redistribution of wealth. (If the plebes can't have it in real life, they might as well get it in their fiction.) It was probably inevitable that someone would make a TV series about a good-looking, bad-boy hacker with a heart of gold, because everyone knows hacking is about being a revolutionary—not about old rich white men transferring their money to young white men who use it to fund fanciful whims that every once in a while turn out to be viable businesses. But in all seriousness, the show looks like it might actually have some potential—Christian Slater plays some lord of the digital underworld—so long as it doesn't include any mega virus monsters that infiltrate digital air conditioners to release a neuro gas.

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The Future May Belong to Web and Mobile Video, but TV Will Survive

April 27, 2015  |  Media Week  |  No Comments

Television is dead! Long live television! This, the ancient cry of royal succession, is entirely appropriate to herald what's happening right now—literally before our eyes—to the medium of television. TV has ruled our lives and lifestyles, our news and entertainment, our politics and (through advertising) our economics since network broadcasting began in 1949. And now its sovereignty is over. Randall Rothenberg Illustration: Alex Fine "Linear TV has been on an amazing 50-year run, [but] Internet TV is starting to grow," Netflix CEO Reed Hastings said earlier this month, in announcing superb earnings for the streaming TV pioneer. "Clearly over the next 20 years, Internet TV is going to replace linear TV." Far be it for me to disagree. For what are the Digital Content NewFronts but an example of the revolution that is roiling television's half-century hegemony? Well, pssst, buddy, let me let you in on a little secret: The princeling that's replacing television … is television. Like the British monarchy or any long-lived royal line, TV has proved remarkably resilient and adaptable during its history. From black-and-white to color, from broadcasting to cable, from 15-minute newscasts to 24-hour news networks, from The Beverly Hillbillies to Mad Men , from wait-until-reruns to on-demand, television has been, is and probably will remain a near-perfect evocation of Darwinism, evolving rapidly to meet changes in technology, consumer interests and marketing needs. True, the changes television is undergoing now are breathtaking, in volume and speed. Prime time has become an anachronism. Today, Emmy-winning, high-quality shows, once the domain only of a specific time and device, are available across multiple devices at any hour of the day. We rarely sit down together as families and friends to watch a TV show after dinner. We watch the programming we love, on our own, several times a day, wherever we happen to be. And that family and friends with whom we hashed it over? That would be our social graph—an ever-present (and ever-growing) real-time feedback loop. The once-unmatchable power of the 30-second spot is also on the decline

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MTV Wants To Make Millennials Scream

April 22, 2015  |  Media Week  |  No Comments

If MTV wanted to make it clear that it was the network for millennials, it did so with aplomb during its 2015 upfront presentation at New York's Beacon Theater Tuesday night. Featuring its top hosts and a concert by pop singer Jessie J, the network showcased what it would have to offer through the lens of the youth themselves. "All these MCNs (multi-channel networks) saying TV is dead, they are in our offices begging to be on MTV," Girl Code host Nessa said on stage. The network introduced eight new series, renewed 10 others — and announced a whopping 85 more shows in development. Returning shows include: Girl Code Teen Wolf Catfish: The TV Show Teen Mom 2 Awkward MTV president Stephen Friedman explained his slate of shows express millennials' "unbridled optimism" despite the fact that their "big dreams are harder to achieve." "It means layered and ironic entertainment," Friedman said. "The virtue they value above all others is hustle." Among the new shows: America's Best Dance Crew All Stars: Road to the VMAs which will focus on dance teams as they take on VMA-themed challenges. Middle of the Night Show: A late night talk show developed with College Humor, in which host Brian Murphy arrives unannounced in a random celebrity's bedroom and convinces the star to be the show's co-host on the spot. Scream: The TV Series, based on the hit 90s horror series by Wes Craven, debuting June 30. MTV has updated the iconic slasher films for modern times, complete with references to connected homes and extremely rapid text messaging. (Sadly, Ghostface has gotten a makeover. The new mask is still spooky, but we have to admit we're a little nostalgic for the vintage look.) If you needed further proof the 90s are back, MTV will also air Follow The Rules, a reality TV show about rapper Ja Rule. Despite the fact many of MTVs key demographic is too young to have experienced hits like "I'm Real" and "Put It On Me" while they were on the charts, MTV proudly touted the half-hour documentary series as a way for fans to keep tabs with the entertainer as he raises his family of teens and college-aged kids. Echoing previous moves to include more online influencers in its programming, MTV will also be adding Todrick, a reality TV series debuting Aug. 31 about YouTube star Todrick Hall—who has amassed more than 180 million views on the platform—as he creates dance and music videos. It is also developing a scripted comedy series around Vine star Logan Paul, who has more than 7 million followers on the app and 20 million Vine views. The series will chronicle Paul's early days as an social media star. Throughout the event, MTV prided itself on being able to connect marketers with the young demographic they covet.

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USA Network Is Trying to Reach Millennials With More Dramas and More WWE

April 7, 2015  |  Media Week  |  No Comments

USA Network understands that audience demographics are changing. To further appeal to the mainstream, the NBCUniversal property is working on a new strategy to reach millennials. USA announced Tuesday at its 2015 Upfront press breakfast in New York that it is banking heavily on dramas, starting this summer, and shying away from its traditional half-hour scripted comedies. The network is placing its biggest bet so far on

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Infographic: What Digital Stats Can Tell Us About Mad Men, Game of Thrones and Daredevil

April 3, 2015  |  Media Week  |  No Comments

Between 1 million and 2 million people will watch the return of Mad Men on Sunday night, but based on digital buzz, it seems only die-hard fans and not newcomers will be tuning in. Digital research from publisher and social media agency Moviepilot predicts that showrunner Matthew Weiner's sublime 1960s drama, now in the conclusive second half of its final season, will not break from its core audience and into more living rooms. "In the week leading up to the Season 7, Part I, premiere [in 2014], search volume for Mad Men was approximately 118,000," explained Moviepilot CEO Tobi Bauckhage. "And by Season 7's mid-season finale, [weekly] search dropped to 93,000. What we're seeing now is yet another drop, down to 88,000 searches. It would appear awareness and inquiry around Mad Men has steadily dropped over the past year plus, so another dip in ratings wouldn't come as a surprise." The Season 7 mid-season finale drew an audience of 1.9 million viewers . Bauckhage's company dug deep into social, search and video data to give marketers an idea of how much buzz—or lack of buzz—April TV premieres are getting. Check out what it learned about Mad Men, Game of Thrones and Daredevil's digital performance in the stats and infographic below. Mad Men On Twitter, the AMC drama has been picking up speed heading into Sunday's premiere, with an average of 2,000 tweets a day. That skyrocketed to 14,300 tweets on March 24, after news broke that leading man Jon Hamm had checked out of rehab, per Moviepilot. According to the Los Angeles-based company, search is the most predictive digital metric of TV viewership for people 35 and older. A week before the season premiere, Mad Men's Google performance looked only decent, with roughly 88,000 searches. Moviepilot's research also showed that Mad Men is weak on YouTube, where clips and trailers for the upcoming season barely eclipsed 1 million views as of April 1. "And while other factors certainly contribute, the substantial decline in premiere and finale ratings for Mad Men over the past two years largely reflect those social metrics," said Bauckhage. "Interesting that a show about savvy marketing has—at least to some degree—missed the boat on the social media revolution." Game of Thrones This HBO juggernaut is, not surprisingly, a social media phenomenon, with 14.5 million likes and more than 62 million views on Facebook for its various clips, as of this week. Mad Men and Daredevil combined for less than 3 million likes and 7 million views. And there were 380,000 tweets about GoT in the final week of March, per Moviepilot. That's pretty phenomenal when you consider that the much-hyped film, Furious 7, which premieres today, amassed 247,000 tweets during a week in mid-March, according to the company. Daredevil How will the first season of Marvel's Daredevil go when it debuts on April 10? Well, it appears that may largely depend on men—the Netflix show's Facebook audience is 98 percent male, with about 153,000 fans.

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