Posts Tagged ‘night’

The Trump Phenomenon Delivered Massive Ratings for Cable News Throughout

November 9, 2016  |  Media Week  |  No Comments

Say what you want about the outcome, but the 2016 presidential election cycle was unlike any the news media has ever experienced. As you might expect, cable news reaped significant benefits from the volatility of the race in the form of huge ratings. Fox News beat CNN in total audience on election night 2016 during the full coverage block, from 7 p.m. to 3 a.m. Per Nielsen data, FNC delivered 12.2 million viewers compared to CNN's 11.2 million. Fox News' viewership climbed on an hourly basis through midnight, while both CNN and MSNBC peaked at around 10 p.m. The ratings trends seem make sense considering now President-elect Donald Trump gained momentum as the night went on, while Hillary Clinton steadily lost steam. Fox News also beat CNN in the all-important 2-3 a.m. time period, when the race was called. CNN did make some ratings history in prime time, as 13.3 million total viewers tuned into the network's Election Night in America coverage

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The Trump Phenomenon Delivered Massive Ratings for Cable News Throughout

November 9, 2016  |  Media Week  |  No Comments

Say what you want about the outcome, but the 2016 presidential election cycle was unlike any the news media has ever experienced. As you might expect, cable news reaped significant benefits from the volatility of the race in the form of huge ratings. Fox News beat CNN in total audience on election night 2016 during the full coverage block, from 7 p.m. to 3 a.m. Per Nielsen data, FNC delivered 12.2 million viewers compared to CNN's 11.2 million. Fox News' viewership climbed on an hourly basis through midnight, while both CNN and MSNBC peaked at around 10 p.m. The ratings trends seem make sense considering now President-elect Donald Trump gained momentum as the night went on, while Hillary Clinton steadily lost steam. Fox News also beat CNN in the all-important 2-3 a.m. time period, when the race was called.

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Donald Trump Turned Stephen Colbert’s Showtime Election Comedy Special Into a Wake

November 9, 2016  |  Media Week  |  No Comments

In August, when Showtime Networks CEO and president David Nevins made the "half announcement" that Stephen Colbert would host a live, comedy special for Showtime on election night, the exec told reporters, "that sounds fun, right?" It did, but what transpired during Tuesday night's Showtime special—prophetically titled, Stephen Colbert's Live Election Night Democracy's Series Finale: Who's Going To Clean Up This Sh*t?—was anything but fun, as news came rolling in throughout the program of Donald Trump's surprising voting surge. The crowd for Monday night's live Late Show with Stephen Colbert had been treated to an energetic, hilarious live Election Eve show, with a surprise appearance from Jon Stewart . But just 24 hours later, the energy in the Ed Sullivan Theater for the Showtime special (Colbert jumped to CBS' sister network for the night as election coverage had preempted the Late Show) couldn't have been more different. Forced to turn off their cell phones more for than 30 minutes before the show began, the audience had no idea of what election news had transpired, and loudly gasped as Colbert shared the latest results on-air. "Right now the election is too close to call and too terrifying to contemplate," Colbert said. "This one is a nail-biter, and a passport-grabber." And while he opened up with a humorous animated package (below) about how President Obama had driven Trump to run for president, it quickly became clear that Colbert's Showtime special wasn't a comedy show, but a wake. Each new revelation that Trump had taken battleground states like Florida, Ohio and North Carolina sucked the energy out of the pro-Hillary Clinton audience. "I'm not sure if it's a comedy show at this point

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Agency London in New York Literally Set Up a Work Space Inside the Metropolitan Opera House

September 23, 2016  |  Media Week  |  No Comments

Many ad agency executives' jobs take them to unique locations. But very few have had the opportunity to work in an environment quite like this one. London in New York, a new shop founded by partners and co-creative directors Carolyn London and Michael Vadino, launched this month. And unlike every other agency in New York, its principals recently worked from inside the Metropolitan Opera House at Lincoln Center. During the time London spent working alongside the Met's in-house marketing team, a rack of elaborate costumes sat down the hall from their work space and a morning trip to the basement cafeteria for a cup of coffee might have involved sharing a table with members of the Bolshoi ballet, costumed soldiers, child opera singers or the star of La Boheme. This relationship was a first for the 133-year-old Met, which recently launched a campaign to promote a new season that opens on Sept. 26.

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The People v. O.J. Simpson, Game of Thrones Dominate 2016 Emmys

September 19, 2016  |  Media Week  |  No Comments

On the night before the 2016-17 TV season began, the television industry honored its very best shows and actors at the 68th Emmy Awards—and the broadcast networks once again found themselves dominated by cable and streaming networks. For three hours on ABC, a series of broadcast stars strode onstage at the Microsoft Theater, and more often than not, presented Emmys to HBO's Game of Thrones, FX's The People v. O.J. Simpson: American Crime Story, and Amazon's Transparent. Of 27 Emmy awards, just four went to broadcast outlets: Kate McKinnon won for supporting actress in a comedy (NBC's Saturday Night Live), NBC's The Voice was named best reality competition program, Regina King won for supporting actress in a limited series (ABC's American Crime) and Fox's Grease: Live was honored for directing in a variety special. HBO and FX dominated the evening, with 6 Emmys apiece, led by Game of Thrones and The People v. O.J. Simpson: American Crime Story. Netflix and Amazon were also well represented (with 3 and 2 awards, respectively), and even BBC America snuck in, as Orphan Black's Tatiana Maslany, who read her acceptance speech via smartphone, was a surprise pick for best actress in a drama series

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The Return of ‘Stephen Colbert’ and Jon Stewart Gives Late Show a Ratings Boost

July 19, 2016  |  Media Week  |  No Comments

CBS had hoped that its decision to broadcast The Late Show with Stephen Colbert live during both political convention weeks would give the show the boost in ratings and buzz that it's been seeking for months. Last night, the return of two longtime Comedy Central pals—his Colbert Report alter ego and Jon Stewart—helped the program do just that. Monday night's Late Show live broadcast beat its competitors in the 56 overnight metered markets with a 2.1 rating, its best overnight household rating since May 10. That put it ahead of The Tonight Show Starring Jimmy Fallon (2.0) and Jimmy Kimmel Live (1.5). Late Show, which is broadcasting live during both political conventions, averaged a 0.5 rating in the 18-49 demo in the 25 local people meter markets. It was the show's best rating since Feb. 15, but still wasn't enough to overtake The Tonight Show, which had a 0.7. These ratings will be updated later today when national ratings are available. Season to date, Late Show is averaging a 0.62 in 18-49, with 2.8 million viewers overall, which is well behind The Tonight Show (a 1.01 rating and 3.7 million total viewers). Kimmel is in third place with a 0.56 demo rating and 2.4 million total viewers

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Why AwesomenessTV is Telling Marketers to Stop Putting Gen Z and Millennials in One Group

May 12, 2016  |  Media Week  |  No Comments

"Gen Z and millennials is not a thing, they're two things," exclaimed AwesomenessTV CEO Brian Robbins during the MCN's NewFront presentation Wednesday evening. "These life stages – late teens who are breaking away from freedom vs. these young adult couples are very, very different." And unlike most other digital players, AwesomenessTV puts more emphasis on reaching the teens and tweens of Gen Z. "They're loaded," he quipped, which came as a surprise to many in the audience at Tribeca's Spring Studios. "First of all, they have their parents money... just ask my kids." Robbins added that, unlike millennials who are only a few years out of college, Gen Zers don't have student loan debt. To that end, AwesomenessTV will become the first to partner with messaging app Kik, launching a bot that combines native video and chat. In the near future, character bots will launch for AwesomenessTV's scripted series and films to deliver companion narratives, behind-the-scenes features and alternative endings driven by audience participation. They also recently launched on Apple TV and will triple the amount of premium content on Facebook, Instagram and Snapchat. AwesomenessTV is also working with a pair of technology companies to help brands reach Gen Z on those myriad platforms. "That private screen has become a personal concierge for an experience that is uniquely their own," said Robbins of Gen Z's mobile attachment. With video-data company ZEFR, AwesomenessTV will launch "Signal" a content and multi-platform distribution program that will enable custom content to be distributed via advertising across multiple platforms. AwesomenessTV is also using Brightline's proprietary technology for dynamic ad insertion for connected TVs and over-the-top platforms. "We are matching our storytelling prowess with innovative technology partnerships that will enable our brand partners to hyper target the hard to reach Gen Z audience wherever they are found," added Brett Bouttier, president AwesomenessTV. AwesomenessTV also announced new seasons for Royal Crush and Guidance, and a new series for Verizon's go90, t@gged, which has already been greenlit for a second season. Verizon acquired a 24.5 percent stake in AwesomenessTV last month. The MCN is also collaborating with Major League Baseball, which has been trying to appeal to younger viewers , on a scripted series. But the best announcement of the night was not actually an announcement at all.

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Guide to Broadcast TV’s Renewals and Cancellations

May 10, 2016  |  Media Week  |  No Comments

With broadcast upfront week rapidly approaching, the five broadcast networks are putting the finishing touches on their fall schedules by making final decisions on which of their current shows will continue and which will end. There are less question marks than usual this week, as ABC, which used to wait until the last minute under former president Paul Lee to renew any of its series, picked up most of its shows two months ago, shortly after Channing Dungey stepped in as ABC Entertainment chief. Likewise, CBS, which also has a new network president this year, Glenn Geller, renewed several shows already, while The CW picked up 11 series in one fell swoop. Here's what we know now about the fate of the shows that aired during the September-to-May broadcast season. This list will be updated throughout the next two weeks as final verdicts are made ahead of the upfront presentations, so keep checking back for the most up-to-date information. While some canceled series will desperately search for new linear or digital homes—hoping to follow the lead of The Mindy Project, which jumped from Fox to Hulu this time last year—most of them will be gone for good. Official renewal/cancellation announcements appear below in all caps, followed by the date the decision was made, while breaking updates will be added in bold. For those shows whose future remains unclear, check out our best guess about its likely fate: ABC Freshman Series: Blood and Oil — Undecided, but its episode order was trimmed (this one is done) The Catch — Undecided (a toss up, but more likely to return, as ABC could give this another year to find itself, while keeping executive producer Shonda Rhimes happy) Dr. Ken — Undecided (expected to return) The Family — Undecided (unlikely to return) The Muppets — Undecided (its much-needed midseason reboot failed to reverse its ratings slide, so this is likely done) Of Kings and Prophets — CANCELED (March 17) Quantico — RENEWED (March 3) The Real O'Neals — Undecided (a toss-up) Wicked City — CANCELED (Nov. 13) Returning Series: American Crime — Undecided (one of Paul Lee's favorites, but now Lee is gone, it's less likely to return, despite its critical accolades) America's Funniest Home Videos — RENEWED (March 3) The Bachelor — RENEWED (March 3) Beyond the Tank — Undecided (very likely to return) Black-ish — RENEWED (March 3) Castle — Undecided (expected to return, possibly for a final season, though Stana Katic won't be along for the ride) Dancing with the Stars — RENEWED (March 3) Fresh Off the Boat — RENEWED (March 3) Galavant — Undecided (unlikely to return; its fate was sealed the day Paul Lee left) The Goldbergs — RENEWED (March 3) Grey's Anatomy — RENEWED (March 3) How to Get Away With Murder — RENEWED (March 3) Last Man Standing — Undecided (likely to return) Marvel's Agent Carter — Undecided (doesn't look good, especially if the new Agents of SHIELD spinoff, Marvel's Most Wanted, gets a series pickup) Marvel's Agents of SHIELD — RENEWED (March 3) The Middle — RENEWED (March 3) Modern Family — RENEWED (March 3) Nashville — Undecided (a tossup; while audience interest has cooled, it could beat the odds again and return, possibly for a final season) Once Upon a Time — RENEWED (March 3) Scandal — RENEWED (March 3) Shark Tank — RENEWED (March 3) CBS Freshman Series: Angel From Hell — CANCELED (Feb. 8) Code Black — Undecided (its prognosis isn't good) Criminal Minds: Beyond Borders — Undecided (could go either way) Life in Pieces — Undecided (seems a lock to return) Limitless — Undecided (very likely to return) Rush Hour — Undecided (unlikely to return) Supergirl — Undecided (likely to return, though its studio and CBS are looking to trim its budget; the show could ultimately jump to sister network The CW) Returning Series: The Amazing Race — RENEWED (March 25) The Big Bang Theory — RENEWED for three seasons (March 12, 2015) Blue Bloods — RENEWED (March 25) Criminal Minds — RENEWED (May 6) CSI: Cyber — Undecided (unlikely to return; looks like the end of the line for the CSI franchise, at least for now) Elementary — RENEWED (March 25) The Good Wife – CONCLUDED (Feb.

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NBC and BuzzFeed Will Replace 30 Minutes of Commercials With Branded Content

February 26, 2016  |  Media Week  |  No Comments

When BuzzFeed announced Thursday it had hired its first executive creative producer to start ramping up content for brands , we didn't think the results would come this quickly. In its first sales partnership since NBCUniversal's $200 million investment , the BuzzFeed creative team has developed branded content for American Express that will replace about 30 minutes of national ad spots during prime time Monday. The Leap Day stunt is no small feat considering a typical hour of prime time has around 16 minutes of commercial time. The stunt will begin on the Today show and continue into prime time during the return of Blindspot and The Voice. The campaign culminates on Late Night with Seth Meyers. Some of the content features Today hosts Kathie Lee Gifford and Hoda Kotb, a mini-documentary of The Voice's Season 9 winner Jordan Smith, and the cast and creator of Blindspot discussing fan theories. "We're partnering with NBCUniversal in this first-of-its-kind campaign to provide viewers with relevant, exciting content across broadcast, digital and streaming properties to reinforce our message: American Express gives you more," said Joe Bihlmier, vp, global media at American Express. "This campaign also aligns with our customer-centric approach to add more value for our customers where we know they are," he said. Along with TV spots, BuzzFeed will create shareable content for social that will live on BuzzFeed and the participating shows' websites and social media channels. The multiplatform partnership will continue through Thursday across NBC's digital platforms, including over-the-top apps.

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Stephen Colbert on a Possible Late Show Sidekick and Regrowing His ‘Colbeard’

February 3, 2016  |  Media Week  |  No Comments

When Stephen Colbert sat down with Adweek for his first major interview since starting The Late Show with Stephen Colbert in September , he had a lot to get off his chest. So much, in fact, that it couldn't all fit into this week's cover story about his post-Super Bowl show on Sunday. Yesterday, he talked about how Jon Stewart earns his keep as one of The Late Show's four executive producers . Here are six other bonus elements that weren't able to fit in our cover story. 1.

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