Posts Tagged ‘networks’

Hot Tub Time Machine Star Says Tweeting Is Like Drunk-Texting America

February 16, 2015  |  Media Week  |  No Comments

Specs Who Clark Duke Age 29 Claim to Fame

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Jon Cryer on Two and a Half Men’s ‘Absolutely Crazy’ Series Finale

February 16, 2015  |  Media Week  |  No Comments

When he landed the role of Alan Harper on CBS' Two and a Half Men in 2003, Jon Cryer says he had "an unusual sense of confidence" that the show would break his streak of four failed TV series. It did a lot more than that, of course. After 12 hit seasons, Two and a Half Men closes shop on Feb. 19, going down in history as television's longest-running multicamera comedy. Shortly after shooting the final episode, the actor spoke with Adweek about the shrouded-in-secrecy, "absolutely crazy" final episode, the Charlie Sheen chapter and how Ashton Kutcher stepped in and revitalized the show, and what's up next. Adweek: What was filming the finale like? Cryer: It was very emotional for everybody. The writers had a huge challenge because they had to basically end two shows and somehow weave them together. And they seized upon a very meta concept and really ran with it. So it's unlike any show we ever did before—and frankly, unlike any series finale I've seen. The title of the final episode, "Of Course He's Dead," seems to tease the return of Charlie Sheen. Does he come back

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How Fox’s Marketing Fanned the Flames of Empire, One of the Biggest New Shows in Years

January 30, 2015  |  Media Week  |  No Comments

Nothing takes the sting off a lackluster

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FX Wants to be the ‘Best’ Channel on TV, Not the Highest-Rated One

January 21, 2015  |  Media Week  |  No Comments

FX is now the No. 4 cable network when it comes to 18- to 49-year-olds, up from sixth place a year ago. While many networks in its position would be gunning for the top spot, FX Networks CEO John Landgraf made an unusual proclamation at the Television Critics Association's winter press tour: He'd rather be the "best" channel on TV instead of the top-rated one. "Obviously we want as many people as possible to watch our shows, we want them to be as highly rated as possible, but there's quite a range [of ratings], and we can support that range," said Landgraf, referring to some of FX's critically acclaimed, but lower-rated, shows like Louie and The Americans. "We're not really a channel that's trying to be the highest-rated channel in television. We're trying as hard as we possibly can to be the best channel in television, whatever that means. If we weren't therefore supporting shows that would help us get there, just because [they weren't among the highest-rated], we'd be idiots." That said, Landgraf's patience does have its limits: The Bridge's declining Season 2 audience forced him to cancel the drama last fall, despite a creative resurgence. Landgraf noted that more than 1,700 original seasons of television aired in 2014, up from the 1,300-plus in 2013. Per FX's research department, 353 scripted original series aired last year on U.S. broadcast, basic and premium cable, and on over the top platforms like Netflix. The number of original scripted series on basic and pay cable in prime-time doubled in the past five years, from 91 to 180. "The amount of competition is just literally insane," Landgraf said. However, "the reality is there's a whole lot of shows on television that are probably relevant to almost no one." FX thinks it's solved the relevancy problem with shows that seem to be resonating. The network's research department compiled all 2014's Top 10 lists from TV critics, and found that FX lagged behind only HBO on the highest representation of shows by network (250 for HBO and 213 for FX, with AMC in third place with 74). At this point, Landgraf said, "the race for the best in TV is really only a competition between two channels: [HBO and FX.]" He also discussed FX's decision to experiment with shows that stray from typical episode and season lengths, explaining that while The Sopranos and other dramas changed the game, eventually their formats "started to feel like a box in some cases

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Resurgent NBC Sets Sights on Two Remaining Weak Spots: Thursdays and Comedies

January 18, 2015  |  Media Week  |  No Comments

When NBC entertainment chairman Robert Greenblatt started at the network in 2011, things looked bleak. NBC has now clawed its way back to first place in the 18-49 demographic, thanks to Sunday Night Football, The Voice and hits like The Blacklist. But the entertainment chairman knows his network still has two big problems to fix if it wants to remain on top: addressing the network's comedy woes and restoring luster to Thursday night, which has gone from Must-See TV to Barely Seen TV. "I think we're moving along nicely, but it's far from a done deal. We're in much better shape than we were two years ago, but we still have a lot of row to hoe," Greenblatt said at the Television Critics Association's winter press tour this week. At the top of his list: shoring up his comedy development. "We are really challenged by the comedy brand that we're trying to build on this network," said Greenblatt, who is going away from single-camera sitcoms (he already gave the network's single-cam Unbreakable Kimmy Schmidt to Netflix, to the delight of creator Tina Fey ) and back to multi-cam shows, including One Big Happy, debuting March 17. "Some of the best shows on NBC in its history were multi-cams." While the refocus on comedy will take months or years to bear fruit, NBC is taking more immediate steps to save Thursdays, which "used to be the big night of television for NBC," Greenblatt said. "It's an important night for a lot of reasons, not the least of which is it is a great, desirable night for advertising." But the network has languished on the night with low-rated, quickly canceled comedies like The Michael J. Fox Show and this season's Bad Judge and A to Z . "Putting comedies we love there and having them fail started to feel like the definition of insanity," said entertainment president Jennifer Salke. Instead, Greenblatt is making a bold but perilous gamble, moving his biggest scripted series, The Blacklist, to Thursdays at 9 p.m., where it will face-off against Scandal on ABC beginning Feb. 5. "It's a risky but necessary move for us to make," said Greeblatt, who pointed to other big Thursday-night shifts that seemed potentially disastrous at the time but paid off, including Fox's The Simpsons, CBS' CSI and most recently Grey's Anatomy, which laid the groundwork for ABC's TGIT. "The only way to really reinvigorate that night is to jumpstart it with something like The Blacklist," Greenblatt said. "If you don't start that move at some point, you'll never get there." Looking beyond those two giant holes, Greenblatt announced several projects with big-name stars. He has given a 13-episode series order to Telenovela, a Soapdish -like comedy about a diva star (played by Eva Longoria, who will also produce) that is set behind the scenes of a telenovela production. And Jennifer Lopez will star in a new drama, Shades of Blue, about a single mom and detective who is recruited to work undercover for FBI's anti-corruption task force.

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Five Shows Premiering This Winter That You Need to See

January 8, 2015  |  Media Week  |  No Comments

Another new year, another bumper crop of slots on your DVR waiting to be filled with shows that haven't been canceled or started to smell funny after a few episodes. But where to look? We figured we'd look everywhere, so below, please check out our best bets for the first part of 2015 (yes, we cheated slightly—that new Amazon show premiered last month, but it's on demand and it's really good). Of course, you'd be unwise to count out broadcast entirely—there's a new cop show from no less than Vince Gilligan, and we liked the pilot a lot. And iZombie (which, oddly, still doesn't have a premiere date) is one of the best shows we've seen all season.

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The Colbert Report Is Dead. Long Live Stephen Colbert

December 18, 2014  |  Media Week  |  No Comments

In his second night as host of The Colbert Report, Oct. 18, 2005, Stephen Colbert made a joke that wasn't really a joke. Over the course of the show's run, he promised, viewers would be treated to installments in "a 435-part series" called Better Know a District. He didn't make it to 435, but he almost broke triple digits. During its just-under-a-decade on the air, the show visited a full 93 Congressional districts in the U.S. (and one in the U.K., because it's a comedy show, after all), and that's not counting the districts he revisited. He explored major industries, minor policy issues and daily life all over the country, which, viewers were gently reminded, is huge. No national news program in history has devoted that much time to systematically covering individual members of Congress—why would you? It's boring unless there's a scandal, right? With one of his first initiatives, Colbert proved, as he so often would, that the media's assumptions about America were wrong. Colbert is ending his half-hour late-night comedy news show The Colbert Report, one of the strangest and most wonderful television series ever to exist, to take a job with CBS as the host of the Late Show when David Letterman retires. It's a signal honor, one that comedians spend their entire lives dreaming about, and yet if you've loved the Colbert Report, this move can also feel like a step down. Letterman is widely beloved, even despite a fairly sleazy intraoffice sex scandal in 2009 .

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Winners of Adweek’s 2014 Hot List Are Revealed

December 8, 2014  |  Media Week  |  No Comments

What a year in media. Prime-time's drama queen Shonda Rhimes—plus literally anything HBO did—kept us from cutting the cord. Netflix, Instagram and Minecraft continued to dominate our digital lives, while apps like Uber, Tinder and Kik achieved must-have status. Jack Ma—who led his e-commerce behemoth, China's Alibaba, to a $25 billion IPO—earned his place as our Media Visionary for 2014. Print, yet again, proved that it is as relevant as ever, with a nearly 150-year-old magazine, fashion icon Harper’s Bazaar, trucking out its fattest issue ever and earning the title Magazine of the Year. This, as the inescapable Kim Kardashian broke the Internet not once but twice after appearing on the covers of Vogue, then Paper.

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Presenting the Winners of the Television Hot List

December 8, 2014  |  Media Week  |  No Comments

Michael Lombardo President of Programming, HBO HBO’s Lombardo continues to win the cable programming game in an age of intense competition for every single promising script, often by exploring uncharted territory. True, we’d seen serial killer shows before, but rarely as atmospheric as Nic Pizzolatto’s True Detective, and never as simultaneously perverse and otherworldly as Game of Thrones. That willingness to experiment—whether bringing back cult favorite The Comeback or robbing The Daily Show of John Oliver for Last Week Tonight—ensures Lombardo will remain every writer’s dream meeting (assuming his agent can get one).

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National Geographic Channel to Shut Los Angeles Office

December 3, 2014  |  Variety  |  No Comments

National Geographic Channel will shut its small Los Angeles office in order to focus on expanding its presence in New York. Nat Geo, part of the Fox Networks Group, is based in Washington, D.C. The Los Angeles office has a total of five staffers, including Alan Eyres, senior VP of programming and development. The decision... Read more

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