Posts Tagged ‘networks’

What Do 13 of the Strongest Women on TV Have in Common? They’re All Tatiana Maslany

April 6, 2015  |  Media Week  |  No Comments

A few short years ago, Tatiana Maslany was an up-and-coming actress with improv comedy chops, some TV and small movie roles under her belt and a profile little known outside her native Canada. Those days are definitely behind her. Now she's regularly mobbed at fan gatherings like San Diego's Comic-Con and revered by TV critics for her work on BBC America's much-lauded, sci-fi-tinged thriller Orphan Black . In it, the 29-year-old juggles multiple roles—a dizzying number of sister clones,

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The Beeb Creates Buzz With Splashy Thrillers

April 6, 2015  |  Media Week  |  No Comments

Sarah Barnett hasn't been genetically engineered, like all those clones in Orphan Black, for the job at hand. It just seems that way. Barnett's new gig—she's a few months into her tenure as president and general manager of the buzzed-about cable channel BBC America—brings her back to the place where she began her stateside career a decade ago, so she intimately knows the lay of the land. It also keeps her in the AMC Networks fold, where she methodically built SundanceTV from the quirky home of indie flicks into an ad-supported, original-content player with scripted series like Rectify, Top of the Lake and Carlos. Now that AMC has taken an operating stake in BBC America, the U.K.-born-and-bred Barnett will be running point on the new relationship. She'll also be guiding the channel, which recently logged its highest-rated year in prime time and total viewers, into the ever-competitive upfront presentations to advertisers and beyond, where she says she'll continue to take "the big swings" that helped put the "Beeb" on the map in the U.S.

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Producer Howard T. Owens Launches Banner with A+E Networks’ Investment

March 30, 2015  |  Variety  |  No Comments

Former National Geographic TV president Howard T. Owens has launched a content production venture with financial backing from A+E Networks. Owens (pictured left) has tapped former A&E Network g.m. David McKillop (right) as a partner and chief creative officer of Los Angeles-based Propagate Content. A+E is an investor in Propagate, but it will operate autonomously... Read more

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Mulder and Scully Are Returning for The X-Files Miniseries

March 24, 2015  |  Media Week  |  No Comments

Special agents Fox Mulder and Dana Scully are back! Actors David Duchovny and Gillian Anderson have agreed to reprise their iconic roles for an upcoming six-episode reboot of The X-Files on Fox. "I think of it as a 13-year commercial break," series creator and executive producer Chris Carter said in a release on the show's newly updated website ,

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These Shows Have Global Appeal

March 23, 2015  |  Media Week  |  No Comments

Jane the Virgin, the CW hit, owes its success to many—not the least of which is its star (and Adweek cover girl) Gina Rodriguez, who took home a Golden Globe Award for Best Actress in a Comedy this past January for her leading role on the dramedy. But it all started with the Venezuelan telenovela Juana la Virgen, on which Jane the Virgin is based. From All in the Family to American Idol, American TV has a long history of series based on hits in other countries. Here, some other current TV and streaming series with offshore origins. Love Lust or Run

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Web TV Players Turn Up the Heat on Cable Providers

March 18, 2015  |  Media Week  |  No Comments

Just over two months ago, Dish unveiled Sling TV at the Consumer Electronics Show. It was a big deal: the service offers premium cable channels like AMC, Adult Swim and the 400 lb. gorilla of cable networks, ESPN, and at $30 a month, live. Its slogan? "Take back TV." Monday, news that Apple is planning a similar creation leaked to The Wall Street Journal—indeed, the service is set to include every broadcaster except NBC (and thus none of NBC's sister networks, either) and several cable channels, and to run between $30 and $40 a month. A few days earlier, Sony announced that its own TV service, revealed at last year's CES, was literally ready for primetime—it, too, will have broadcast networks (only ABC was still holding out) and several cable players involved, including Viacom, which owns all-important Nickelodeon. Sony's similar Vue service went live today

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8 Ways Fox Could Keep Empire’s Momentum Going After the Season Finale

March 18, 2015  |  Media Week  |  No Comments

Fox is about to have the happiest and saddest day of its 2014-15 season. No, that day is not today, even though tonight marks the two-hour season finale to its breakout hit, Empire. Instead, that moment will come tomorrow morning, when overnight ratings finally come in and will almost certainly reveal an unbelievable 10th week of growth in total viewers. The audience began at 9.9 million in its January debut and has continued growing to 14.9 million last week. Ratings in the coveted 18-49 demo have also grown from a 3.8 for the first episode to 5.8 last week. Could it crack a 6 tonight?

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3 TV Shows That Have Awesomely Come to Life at SXSW

March 16, 2015  |  Media Week  |  No Comments

It's not just interactive technologies, film and music at the South by Southwest festival on March 13 through March 21. Several TV brands came to Austin and created experiential activations that let fans delve deeper into their favorite shows, as well as introduced the programs to potential new audiences. Here's a few of our favorites. The Simpsons Kwik-E-Mart Truck

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4 TV Shows That Have Awesomely Come to Life at SXSW

March 16, 2015  |  Media Week  |  No Comments

It's not just interactive technologies, film and music at the South by Southwest festival on March 13 through March 21. Several TV brands came to Austin and devised experiential activations that let fans delve deeper into their favorite shows, as well as introduced the programs to potential new audiences. Here's a few of our favorites. The Simpsons Kwik-E-Mart Truck

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GSN Expands Its Slate of Original Series With 2 New Programs

March 10, 2015  |  Media Week  |  No Comments

In game show terms, GSN is feeling like a returning champion. Viewership is up, the average age of viewers is down, and the network's experiment with original series is paying off. "GSN has grown for three years straight, and 2014 was our biggest year ever," said David Goldhill, chief executive of the network, a partnership between DirecTV and Sony Pictures Television. In February, the network had its highest-rated month ever among women ages 25 to 54, and GSN original series reported a social engagement rate of more than 6 percent. "Something is definitely happening," Ben Glieb, host of GSN's Idiotest, told Adweek. "The network's attitude is so inventive." GSN, created as a home for classic 1970s game shows, has doubled the number of original hours over the last two seasons, with two new shows joining its lineup this year. Lie Detectors challenges members of the studio audience to decide if comedians' outrageous anecdotes are true. And in Steampunk'd, a design competition, contestants have to turn everyday objects into works of art in the "growing subculture" of steampunk, which combines modern and Victorian design.

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