Posts Tagged ‘networks’

Oracle Acquires Network Manager Tekelec

March 25, 2013  |  All Things Digital  |  No Comments

Software giant Oracle today said it had acquired Tekelec, a company that makes software to manage traffic on mobile networks. Financial terms aren’t being disclosed. Oracle said in a statement that the growth of smart mobile devices — iPhones, iPads, as well as Android phones and tablets and the like — have exponentially boosted data traffic on networks. That’s created a need for service providers to better manage the new traffic loads on their networks, while also deploying new services that can make money. Tekelec’s control software is already in use by more than 300 service providers around the world. Additionally, Oracle said it will combine Tekelec’s capabilities with those of Acme Packet , which it acquired earlier this year for $1.7 billion.

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The Man Who Took on Nielsen

March 25, 2013  |  Media Week  |  No Comments

It’s about 9 p.m. New York time, and Jon Mandel is in Seattle, on the phone, telling a story about the story the Nielsen ratings weren’t telling. “It was Danny Abraham,” he says, speaking about billionaire Slim-Fast magnate S. Daniel Abraham. “I was presenting a buy—I’ll never forget this—it was a daytime network buy,” Mandel says, rapidly shifting into high gear. “It was ABC, CBS and NBC. What are they trying to do? They’re trying to reach young women. NBC was more expensive, but it made sense because it was women 18-49.

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Sundance Channel Goes Ad-Supported

March 25, 2013  |  Media Week  |  No Comments

After five years of generating revenue through limited sponsorships, Sundance Channel on Sept. 30 will transform itself into a fully ad-supported network. The move comes as the AMC Networks property promotes its upcoming scripted drama series Rectify (April 22) and the recently green-lit The Descendants. To that end, AMCN is marketing and airing Rectify across networks. Following its premiere on Sundance, Ray McKinnon’s psychological drama will encore on AMC on April 28, leading out of Mad Men. AMCN COO Ed Carroll said he believes Sundance needs to have a bigger presence in the basic cable ecosystem. “We’ve succeeded in growing its footprint…and we’ve been ramping up the investment in originals,” Carroll said. Both of those points bear fleshing out. While AMCN has a new deal in place with DirecTV, Sundance is still only in about 50.2 million households. (By way of comparison, per the company’s most recent earnings filing, flagship AMC reaches 98.9 million subs.) In order to move the needle, AMCN CEO Josh Sapan has vowed to pump more cash into Sundance. “Pointedly, we think that it’s sort of undernourished and really is both in need of [money] and rich with opportunity,” Sapan said on the company’s most recent earnings call, adding that AMC is a “pretty good example” of a network that has paid off on its programming investment.

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David Levy Pushes Unscripted Shows on Turner Networks

March 25, 2013  |  Media Week  |  No Comments

David Levy’s relaxation technique is pretty simple. “Every time I get too stressed I look out across here and there’s not an ad in sight,” he said, gesturing to the vast, Emmy-lined window of his corner office in New York’s Time Warner Center. It’s true. The only recognizable brand from Levy’s perch is Central Park. The president of sales, distribution and sports for Turner Broadcasting System, Inc., will need to stay loose in the coming months. He’s preparing for some major changes at his flagship networks this fall. “We’re not abandoning scripted,” he cautioned. “But we are going to start getting involved in unscripted for both TBS and TNT.” A heavy emphasis on unscripted would be a serious change in the weather for both networks, which historically have relied on acquired syndicated content to serve as launch pads for their original scripted series. Sometimes the strategy has worked. TNT’s syndication of Law & Order has helped to buttress shows like The Closer and its spin-off, Major Crimes. But sometimes it hasn’t

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Hallmark Channel Brings the Women’s Lit

March 21, 2013  |  Media Week  |  No Comments

Hallmark Channel is making good on its promise last year to bring more long-form originals to its bandwidth. It starts with the network's first scripted ongoing series, Debbie Macomber's Cedar Cove, announced last year and now set for a July 20 premiere; then comes new special When Calls the Heart, based on the Janette Oke novel and debuting in October. The network has had to move the timelines back for both projects—originally Cedar Cove was scheduled for this month and When Calls the Heart was slated for June—but there's more scripted material in development from another writer beloved of the network's demographic: Mary Higgins Clark, whose short story collection My Gal Sunday is being considered alongside Dead Letters, a series developed by Touched by an Angel exec producer Martha Williamson. Hallmark Channel also has an ongoing "Wonderful World of Disney"-style venture with Narnia Chronicles production company Walden Media, which began its family-film partnership last week with Return to Nim's Island, a sequel to its theatrical film. The network's revitalized slate would seem to point up exactly how much its partnership with Martha Stewart Omnimedia drew from its coffers. Stewart's show was produced on a revenue-sharing model, through which Stewart received all the producing costs on the show and Hallmark got the overage

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New Girl’s Jake Johnson Is An ‘Idiot With Technology’

March 20, 2013  |  Media Week  |  No Comments

Specs Who Jake Johnson Age 34 Accomplishments Stars as Nick Miller on Fox’s New Girl (Tuesdays at 9 p.m.); appears in the upcoming film Drinking Buddies with Olivia Wilde; UFC aficionado Base Los Angeles What’s the first information you consume in the morning? I’ll go through emails. And then I’ll go to the basics— CNN.com and ChicagoSports.com . You’re pretty active on Twitter. What are your favorite accounts to follow? For a while, it was Jose Canseco . He’s a true maniac. There was a whole period where he would just say, “I complete you,” and there was no punctuation. Every time, it made me feel weird. What does that even mean? Are you a TV junkie or on an airtime-restricted diet? I’m a TV junkie. I watch everything, from Breaking Bad to Storage Wars. The show I’m currently obsessed with is The Ultimate Fighter on FX . Do you watch New Girl? I do, yeah, for two reasons: One, just to see what got in—when people are seeing it for the first time, that’s when I’m seeing it—and two, I like to go back and forth on Twitter with fans of the show while they’re watching and ask a basic question like “What’s jumping out?” to see an immediate response. For example, when Nick and Jess kissed , I got over 20,000 followers from that moment to 24 hours after that.

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Les Moonves Is on a Mission for C7 Currency

March 18, 2013  |  Media Week  |  No Comments

While Les Moonves appears to have mothballed his side gig as the grand prognosticator of the upfront, the CBS Corp. president and CEO remains outspoken about the marketplace as a whole. Speaking to investors this month at a Deutsche Bank media confab, Moonves took another run at TV’s prevailing currency. “We hit a tipping point this year, which is why in the fall, the numbers were tough to read,” Moonves said, before adding that only 60 percent of CBS’ prime-time deliveries are live. As such, the media boss advocates a switch to a more inclusive currency.

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Renesys Confirms Network Outages — Maybe Attacks — In North Korea

March 15, 2013  |  All Things Digital  |  No Comments

There has been a rash of odd reports today about a hacking attack against networks in North Korea. Just a few minutes ago, the research firm Renesys, which tracks the overall health and working order of the Internet, came out with confirmation that indeed something has been going on. The Democratic People’s Republic of Korea — or DPRK, as North Korea is generally known — has officially accused the U.S. of carrying out the attack, which is said to have disrupted that country’s connectivity to the wider Internet, such as it is. The DPRK has only one Internet provider supplying it with outside links, known as Star JV, Renesys says. Star in turn gets service from China Unicom and Intelsat. Star JV is a joint venture between North Korea’s Post and Telecommunications Corporation and a Thailand-based firm called Loxley Pacific . Renesys says it tracked disruptions that knocked North Korea’s four networks — yes, there are only four — off the global routing table early on March 13. The disruptions recurred into March 14. It’s as yet unknown what the cause is, and frankly it’s kind of hard to figure out what the point of such an attack might be other than simply to get attention. It’s not as if much of North Korean society is all that dependent upon the Internet to get anything done, and those few who do have access are either elite members of the Communist Party or the inner circle of the regime of leader Kim Jong-Un, or foreigners. In fact, Foreign Policy , citing some educated guesses of foreigners, estimates the number of North Koreans with access to the Internet as ranging from perhaps a few dozen well-connected families to no more than 1,000 people, tops. For others, there’s a domestic Intranet that looks nothing like the Internet we’re accustomed to. So if indeed there has been an attack, and if it was sponsored by someone acting on behalf of another government, the main question would have to be, “Why bother?” With luck, more will be revealed about all this in the coming days.

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Dwight Schrute Buys the Farm

March 15, 2013  |  Media Week  |  No Comments

After a three-week hiatus, NBC’s The Office returned last night in the form of the backdoor pilot to the stillborn Dwight Schrute spinoff, The Farm. If the preliminary ratings are anything to go by, NBC was wise to pass on the project. According to Nielsen overnights, last night’s special episode was the least-watched in the nine-season history of The Office, drawing a mere 3.55 million total viewers. Having averaged a 1.9 in the adults 18-49 demo, the Schrute-centric installment tied three other 2012-13 broadcasts as the lowest-rated shows since The Office bowed as a midseason replacement in 2005. Roughly half of last night’s episode took place at Schrute Farms, where Dwight retreated to attend his Aunt Shirley’s funeral. In a video message from the Great Beyond, Shirley announced that she would leave her own farm to Dwight and his brother and sister. NBC officially passed on The Farm last fall. In a tweet dated Oct. 29 , actor Rainn Wilson said that while he “had a blast making the pilot,” the network decided not to go forward with the spinoff. While it was another dismal Thursday night at NBC, with Community posting a series-low 1.0 in the demo—a number matched by the freshman comedy 1600 Penn—things were tough all over the broadcast dial. On CBS, The Big Bang Theory tied its Season 6 low with a 4.5 in the demo, down 17 percent from last week’s 5.4 overnight, while Fox’s American Idol fell to an all-time low 3.0 rating. (As overruns of ACC and SEC basketball tournament games impacted approximately 3 percent of CBS’ national footprint, the overnights are more provisional than usual. Final live-plus-same-day ratings will reflect the adjustments.) Declines aside, those numbers are the stuff of dreams for NBC and ABC. The Alphabet Net last night aired a single hour of new content; at 9 p.m., Grey’s Anatomy served up a series-low 2.6 in the dollar demo. Among the few original episodes that demonstrated week-over-week growth were CBS’ Person of Interest, which drew a 4.3 among adults 25-54, up one-tenth of a point from March 7, and Elementary , which delivered a 3.5 in the demo, up two-tenths of point from its most recent first-run installment (Feb. 21). Despite the poor lead-in provided by Community, NBC’s Parks and Recreation grew 14 percent versus its most recent premiere outing, drawing a 1.6 rating.

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Smash Shifts to Saturdays

March 14, 2013  |  Media Week  |  No Comments

In a prelude to the show’s inevitable cancelation, NBC will shift the mortally wounded Smash to Saturdays beginning April 6. While the move to the night with the lowest HUT levels constitutes a burnoff, NBC has said it intends to air all 12 episodes remaining in Smash’s Season 2 order. The decision to maroon Smash in the Saturday 9 p.m. slot comes as the Broadway musical drama failed to deliver so much as a 1.0 in the 18-49 demo for the fourth consecutive week. Last night, Smash averaged 2.9 million viewers and a 0.9 in the dollar demo, bringing its average deliveries for the season to 3.28 million viewers and a 0.9. It’s an

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