Posts Tagged ‘network’

Watch: First Trailer for PlayStation Network’s ‘Powers’

October 11, 2014  |  Variety  |  No Comments

Sony’s PlayStation Network has provided the trailer for its first original series, “Powers,” based on the comicbook by Brian Michael Bendis and Michael Avon Oeming. The show stars Sharlto Copley, Susan Heyward, Michelle Forbes, Max Fowler, Adam Godley, Eddie Izzard, Noah Taylor and Olesya Rulin. David Slade directed the first two hour-long episodes about detectives... Read more

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Constantine, Rick and Morty and a New Guardians of the Galaxy Cartoon at NYCC

October 11, 2014  |  Media Week  |  No Comments

Where do people in sexy stormtrooper regalia go to hear an improvised table read by the cast of Adult Swim's Rick and Morty? That's correct, the New York City Comic Con at the Javits Center. Friday saw some honest-to-goodness news break out of the event, namely that Guardians of the Galaxy will be a TV series next year as a cartoon on ad-supported Disney XD. Disney put up a preview of the anime-style cartoon as soon

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GoPro and the NHL Have Signed a Deal That Will Give Hockey Fans a Player’s POV

September 29, 2014  |  Media Week  |  No Comments

Ever wonder what’s it like to be Patrick Kane of the Chicago Blackhawks streaking in on a breakaway? Or New York Rangers goalie Henrik Lundqvist blocking a 100 mph shot? The NHL has struck a content-sharing deal with GoPro cameras to offer TV viewers exactly that kind of player point of view this season. The NHL will use GoPro’s POV footage in promo campaigns for the new season starting Oct. 8. The league’s two national TV partners—NBC Sports in the U.S. and Rogers in Canada—will also weave clips into game telecasts to illustrate the shooting, stickhandling and skating skills of NHL stars, said Bob Chesterman, NHL’s svp of programming. During the recent NHL/NHLPA Player Media Tour, GoPro techs outfitted nearly a dozen top stars with mini-cameras on their helmets, masks and jerseys at Newark’s Prudential Center. If a player filmed by GoPro scores this season, NBC or Rogers can illustrate what they saw on the play by cutting to taped footage from the commercial shoot, said Brian Jennings, NHL’s CMO. The league will also feature the POV content on NHL Network and NHL.com, while GoPro will use it on its YouTube channel. The GoPro mini-cameras capture images that were “unimaginable” before, said Jennings. “The [technology] demystifies our game—and truly shows what skill our players have,” he said. GoPro cut its teeth on action sports such as surfing. But it’s expanding with pro sports leagues such as the NHL and NFL, said Wil Tidman, GoPro’s head of production. Lundqvist, who led the Rangers to the Stanley Cup Finals, can’t wait to see the footage himself. “It can definitely help the game become even more interesting for the viewer, no question.”

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NBC’s New Fall Shows, From Best to Worst

September 19, 2014  |  Media Week  |  No Comments

Last season, for the first time in a long time, NBC was on top. Much of that was due to The Voice, flagship drama The Blacklist and shows that struck an unexpected chord, like Hannibal. But some of it was because the competition faltered more or less across the board. Even with its #1 slot, though, the network had some retooling to do, and the result is the least consistent slate of new shows this season. It's not that the shows are uniformly bad; they're not uniformly anything. There are funny comedies and unfunny comedies, pulpy dramas and Very Serious Dramas. It feels as if it was developed by at least two different teams, and the process yields shows that will probably appeal (or not) to very different audiences. As with our previous new-show writeups for ABC , CBS and Fox , these breakdowns are based on the early episodes provided by the networks. Mostly, that just means pilots, and in one case (Bad Judge) not even that. But it's instructive for the advertising community to see what the audience's first glimpse of a show is going to be, as there's enough great material out there these days to make television a medium with near-limitless choice.

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CBS’s New Fall Shows, Ranked from Best to Worst

September 18, 2014  |  Media Week  |  No Comments

Today in our week-long roundup of new shows on broadcast, we're looking at CBS, the place to go for young people committing crimes. There are networks that, faced with changing times and a media landscape diversifying both by viewer type and by medium, radically change their programming approach in an effort to stake out new territory before their competitors are inevitably pushed into it. CBS is not one of those networks. It's the most conservative in its programming strategy, and with good reason: Stalwarts like The Big Bang Theory, the NCIS and CSI franchises, and The Good Wife provided several consecutive years of growth, and Big Bang in particular tops the charts year after year. More than any other network, CBS unapologetically does capital-T Television along classic lines: one-and-done mysteries, sitcoms with laugh tracks, and dramas about politics. Oddly, CBS chose to save for midseason its best-written and -acted series, buddy cop dramedy Battle Creek, but don't worry, there are no fewer than three cop shows in the five full-season series CBS will premiere in the next few weeks. Of the networks we're looking at, CBS is the most drama-heavy: four of the five are hour-long, big-budget, slick-looking series, and while nothing here is wildly innovative, you can kick the tires on any one of these guys and the muffler won't fall off the back of the car. As with my roundups of ABC and Fox , I'm only able to review the screeners provided by the network, and those are the pilots. Series frequently evolve pretty radically, but when you're writing about the ad industry like we are, those first episodes are vitally important, because there's enough on the dial that if a viewer doesn't like episode one, there's no reason for him or her to come back for episode two.

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Dish Adds Food Network, HGTV and Other Scripps Cable Nets to Internet TV Lineup

September 16, 2014  |  Variety  |  No Comments

Dish Network is another step closer to launching a cheaper over-the-top TV service, obtaining rights to deliver live and on-demand content from Scripps Networks Interactive’s suite of cablers including Food Network, HGTV and DIY Network. The No. 2 satcaster has cut similar pacts with Disney/ESPN and A+E Networks, and has said it plans to bow an OTT service by... Read more

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ABC’s New Fall Shows, From Best to Worst

September 16, 2014  |  Media Week  |  No Comments

Between now and Friday, we'll

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Simulmedia’s New CMO Sees the Future of TV

September 8, 2014  |  Media Week  |  No Comments

Specs Who

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The Emmys Are Basically Fantasy Football for Network Executives

August 26, 2014  |  Media Week  |  No Comments

The Emmy Awards are a game. That doesn't mean they're worthless, or meaningless, or cynical; it just means that there is high-level strategy around who gets what award and why, beyond simply who turned in the best performance. And this year in particular, we were able to see that game being played a lot more baldly than it has been in years past. So let's take a look at said strategy, shall we? One of the reasons cable TV shows split "final" seasons into two parts is so that they'll cross years and potentially end up sweeping more than one awards season. Breaking Bad did this perfectly last night—it's difficult to argue that they didn't deserve it. Bryan Cranston, Aaron Paul, Anna Gunn, Vince Gilligan and the rest of the honorees worked on a show that is already being talked about in the same breath as The Wire and Homicide. How It's Done HBO pioneered more than daring cable content. It originated the nomination-gaming strategy, raising eyebrows and earning the consternation of broadcasters when they pulled off an unprecedented 16 nominations in 1999, including several for their brand new series, The Sopranos. It was the first time the cable world had ever landed even a single Emmy nod. This year, they got the most nominations of any network (as they have in an unbroken streak

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TV Gets Undressed

August 24, 2014  |  Media Week  |  No Comments

To say that this wedding is unconventional doesn’t quite capture the essence of the nuptials of reality show contestants Ashley and Alika. First off, the bride and groom met with the TV cameras rolling and decided to get hitched after just three months. Six other couples who are attending the wedding fell for each other under the same televised circumstances. A shaman presides over the ceremony, with backup from a chanting yogi and drum circle. Nowhere in sight can one find the usual trappings—no flower girl, no ring bearer, no tulle or tuxedos. Boutonnieres are also in short supply—though bug spray could come in handy. Some of the invited guests are more anxious than even the happy couple—who, even if they don’t get cold feet, may well experience sunburn. For you see, everybody here—the bride and groom, wedding party and guests—is butt naked. Even if you haven’t been tuning into VH1’s summer hit Dating Naked —which has attracted more than 1 million viewers per episode and plenty of social buzz to boot—you might want to cue the DVR for television’s first all-nude wedding, airing Sept. 18 at 9 p.m. To be sure, it’ll be a spectacle not to be missed. For the Viacom-owned basic cable channel, it was a no-brainer to film the union and televise it as an hour-long special, extending the series’ 10-episode run with what are likely to be big ratings.

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