Posts Tagged ‘netflix’

‘Bloodline’ Gets Second Season at Netflix

March 31, 2015  |  Variety  |  No Comments

Netflix has renewed freshman thriller “Bloodline” for a second season, the streaming service announced Tuesday. Season 2 goes into production later this year, and is set for a 2016 release on Netflix. “Bloodline” stars Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Sam Shepard, Sissy Spacek, Norbert Leo Butz, Jamie McShane, Jacinda Barrett and Enrique Murciano. The drama follows the... Read more

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Netflix, Marvel Pick ‘Luke Cage’ Showrunner, Cheo Hodari Coker

March 31, 2015  |  Variety  |  No Comments

Netflix and Marvel Television announced that Cheo Hodari Coker (“Ray Donovan,” “Southland”) will serve as exec producer and showrunner of “Luke Cage,” the street-hero series slated to premiere next year. It was previously announced that Mike Colter (“The Good Wife,” “American Horror Story: Coven”) will play Luke Cage in the series. Coker is writing the first two... Read more

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Study: Young People Watch More Than 22 Hours of Online Video a Week

March 30, 2015  |  Media Week  |  No Comments

A new study shows that watching content online instead of on TV is the new normal for young millennials and even younger Gen Zers. Just how much digital video are they watching? The average survey taker viewed 11.3 hours of free online video (on sites like YouTube) and 10.8 hours of subscription video (on sites like Netflix) for a staggering total of 22 hours a week. By comparison, that same survey group—1,350 people between the ages of 13 and 24—viewed an average 8.3 hours of scheduled linear TV content, according to the third annual Acumen Report. And of that, 6.4 hours happened online. While almost everyone surveyed said they watch digital content, a little more than half reported watching TV. "Whether you're a marketer or a content creator, the results magnify the growing influence of these millennial consumers and further affirmation that traditional media is falling short with this audience," said Andy Tu, evp of marketing for Defy Media, an online video production house that commissioned the study.

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Netflix Launch In Australia Gets Qualified Welcome From Producers Organization

March 23, 2015  |  Variety  |  No Comments

Online video service undercuts local incumbents. Producers' association wants Netflix to contribute to local industry.

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Web TV Players Turn Up the Heat on Cable Providers

March 18, 2015  |  Media Week  |  No Comments

Just over two months ago, Dish unveiled Sling TV at the Consumer Electronics Show. It was a big deal: the service offers premium cable channels like AMC, Adult Swim and the 400 lb. gorilla of cable networks, ESPN, and at $30 a month, live. Its slogan? "Take back TV." Monday, news that Apple is planning a similar creation leaked to The Wall Street Journal—indeed, the service is set to include every broadcaster except NBC (and thus none of NBC's sister networks, either) and several cable channels, and to run between $30 and $40 a month. A few days earlier, Sony announced that its own TV service, revealed at last year's CES, was literally ready for primetime—it, too, will have broadcast networks (only ABC was still holding out) and several cable players involved, including Viacom, which owns all-important Nickelodeon. Sony's similar Vue service went live today

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Nielsen Report Sheds Light on U.S. SVOD Audience

March 11, 2015  |  Variety  |  No Comments

The continuing growth of subscription VOD services led by Netflix in the U.S. may be taking its toll on live-TV watching. A pair of statistics issued Wednesday in Nielsen’s quarterly Total Audience Report suggested there could be more than just a correlation between the two viewing patterns — a subject of much debate among industry... Read more

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Broadcasters Are Going Movie-Crazy During Pilot Season

March 10, 2015  |  Media Week  |  No Comments

Pilot season this year boasts five nonclassic movies being refurbished as contenders for primetime placement on broadcast this season (not counting script deals for Big, Marley & Me, The Money Pit and The Illusionist), so we asked the same question you're probably asking: why the rush to pay homage to a collection of cinematic treasures with a mean score on Metacritic of 51 out of 100? We got some interesting answers. "When a company already owns the rights to existing IP, they would almost always rather recreate/rehash that than gamble on original content," explained Jeremy Fox, writer and former head of development at Annapurna Pictures. A TV producer concurs: "The new landscape of Netflix and summer series and direct-to-series orders makes the usual pilot gambles less appetizing. When people would complain about the budgets, I used to say, 'You're supposed to be losing millions of dollars so that you get a hit!' I think there's less profligate spending now." Below, check out some of this season's film-to-TV transitions.

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‘House of Cards’ Season 3 Pirated, With China Top Country for Downloaders

March 1, 2015  |  Variety  |  No Comments

“House of Cards” is a global franchise — and the political drama is popular in many countries where Netflix isn’t yet available, prompting a surge in piracy downloads for the just-released season three. Within the first 24 hours after season three hit torrent services, there were 681,889 unique downloaders worldwide, according to piracy-tracking firm Excipio.... Read more

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Pee-wee Herman’s 30-Year Journey From Obscurity, Through Infamy and Onto Netflix

February 24, 2015  |  Media Week  |  No Comments

Netflix let it be known today that the long-awaited third Pee-wee Herman film, Pee-wee's Big Holiday, would finally make it to the ... well, not the big screen, but a screen. Specifically any screen hooked up to a Netflix subscription. The project has been in the works with producer Judd Apatow for nearly five years, but the original team —Pee-wee portrayer Paul Reubens and Arrested Development writer Paul Rust on script duties, Apatow producing—is now in place at Netflix. It's a show with a rich history, some of it very strange. The movie goes into production next month and, given Netflix's track record, will probably get made at an impresisve level of investment (the first two seasons of House of Cards cost a reported $100 million ) for television and a totally reasonable level for an indie comedy. With Pee-wee on his way back into the national limelight, we thought we'd take a look back at the long, strange trip that brought him to Netflix:

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After a Rocky Few Years, Hasbro’s TV Strategy Is Changing Again

February 23, 2015  |  Media Week  |  No Comments

What looks like an entertainment company, spends like an entertainment company and programs like an entertainment company? It's Hasbro, a toymaker. Hasbro makes not just toys but also hugely popular intellectual property, which for decades has been key to its bottom line. But as kids' consumption patterns change radically with the advent of new technologies, the company has struggled to find a balance between its core business and its entertainment properties. Over the last few years, the company has poured billions of dollars into (and received billions of dollars from) big-budget movies and triple-A video games, plus a joint-venture cable network called The Hub (a costly misstep), which since was rebranded and partially sold back to partner Discovery. And now, Hasbro is trying something new. TV product created and licensed by Hasbro is going in a number of different directions this year.

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