Posts Tagged ‘nbc’

‘Rogue One’ New Trailer Premieres During Olympics (Watch)

August 12, 2016  |  Variety  |  No Comments

Disney dropped a new trailer for the Star Wars spinoff film “Rogue One” during Thursday night’s Olympics coverage on NBC. Watch the trailer above. Starring Felicity Jones, “Rogue One: A Star Wars Story” opens in theaters December 16, 2016.

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Why You Likely Won’t See Too Much Political Advertising During the Olympics

July 29, 2016  |  Media Week  |  No Comments

With the torch about to be lit at the 2016 Summer Olympics in Rio de Janeiro, all eyes are on NBC. And with the TV-friendly time zone—Rio is only an hour ahead of the East Coast—NBC is looking to set records for viewership and advertising dollars. But even as NBC is looking at a bigger haul for ad revenue than it had in 2012—in March, the network surpassed $1 billion in national broadcast, cable and digital sales, four months earlier than it did four years ago—don't expect an onslaught of campaign ads from Hillary Clinton or Donald Trump. Unless, that is, you happen to live in one of the 10 to 14 swing states that will likely determine which party wins the White House this year. It would seem that the massive audience the Olympics provides—NBC drew more than 217 million viewers over the 17 days of the 2012 London Games, including an average of 31 million per night in prime time—would be an ideal chance for candidates to get their messages out. But with only so many political dollars to go around—Borrell Associates projected north of $11 billion in political advertising for the 2016 cycle—campaigns value efficiency over audience size, especially with all the ways available to reach voters, many of which didn't exist just four years ago. "[Voter groups] can be found and targeted in way more efficient ways," said Lenny Stern, co-founder and CEO of SS+K, the agency behind youth vote campaigns for Barack Obama in 2008 and 2012. Thanks largely to technology, marketers today have better ways to directly target specific audience segments rather than casting a wide, pricey net. The average cost for a 30-second spot for Rio is $100,000, Kantar Media estimates, which would be a slight increase over the previous two Summer Olympics. But for prime time, that price could be as high as $1 million, according to The Wall Street Journal. "Finding voters in Virginia, Ohio, Florida or Wisconsin in the most efficient way is much more important than some scaled, amazing platform that grabs a lot of eyeballs," Stern argued. The 2016 presidential election is anything but typical; you would have to be living under a rock, that was living under another rock, to not be familiar with the two candidates. After all, one is a former first lady, and the other is a reality TV star. "You're not introducing [voters] to new people," Stern said. "Here, you're really trying to target … people who are your supporters, or who are persuadable." Campaign money swings into battleground states Election ad dollars may not flow heavily on a national level—political advertising accounted for just 1 percent of all commercial inventory during the London Games—because for many campaigns, that spending occurs at the local station level. "You also bring into play on the Senate, House and local races," said Jon Swallen, CRO at Kantar Media. "There is a bigger pool of political advertising." Kantar found that in 2012, the spending was much higher in key battleground markets than in non-battleground states. Political ads only accounted for 1.5 percent of all local station inventory during the games. For example, political ads took up 38 percent of Reno, Nev., NBC affiliate KRNV's inventory.

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Despite Streaming Options, Millennial Women Plan to Watch the Olympics on TV

July 19, 2016  |  Media Week  |  No Comments

The 2016 Summer Olympics are just a few weeks away, and it looks like the TV-friendly time zone of the host city, Rio de Janeiro, will pay big dividends for NBC. With Rio just one hour ahead of the East Coast, NBC Sports executives have consistently said these games will feature the most live coverage for any Olympics that NBC has been a part of. Despite the digitally-charged media ecosystem that NBC finds itself entrenched in—for the third Olympics in row, NBC will offer every event outside of the opening ceremonies live for digital consumption— it appears that at least one audience demographic is ready to watch the games the old fashioned way, and it's not one most would've expected. Influenster , whose 2 million members are comprised mostly of millennial women, surveyed 3,992 women around the age of 25 to find out their viewing habits for the upcoming games. The product discovery and reviews platform found that the overwhelming majority of millennial women that plan to watch the Olympics will do so in front of the television (75 percent) instead of livestreaming the competition (18 percent). Overall, more than half (54 percent) of millennial women surveyed are planning to watch any coverage from Rio. Airing on a tape delay hasn't hampered NBC's ability to pull in gigantic ratings—NBC averaged north of 30 million viewers for its primetime coverage from London in 2012. In fact, Jim Bell, NBC's executive producer for its Olympics coverage, has argued that the decision to make every sport live on a digital platform has actually increased TV viewership. "By providing more content you got more viewers and more interest, it was the rising tide that lifted all boats," he said during a Paley Center for Media event last month. But for NBC, being able to have big-ticket Olympic sports like swimming, diving, track and field, beach volleyball and gymnastics airing in the moment instead of on a delay should only further boost viewership. It should come as no surprise then that many of the American athletes that millennial women are most aware of, or at least the ones they follow on social media, participate in those major events. Of the 57 percent of those who took part in the survey, Michael Phelps (15 percent) and Gabby Douglas (14 percent) were the top two U.S. athletes followed

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NBC Sets Fall Premiere Dates and Will Use ‘The Voice’ to Launch Its 3 New Series

June 15, 2016  |  Media Week  |  No Comments

Because NBC's No. 1 series, Sunday Night Football, stretches well past 11 p.m., the network can't use it to help any of its new shows this fall. Instead, the network is making the most of its No. 2 show, The Voice, which it will deploy to launch all three of its new fall series, NBC announced today. The Voice, with new coaches Alicia Keys and Miley Cyrus, kicks off Season 11 on Monday, Sept. 19. Then NBC will air two episodes of its new Kristen Bell-Ted Danson comedy, The Good Place, which moves to its regular 8:30 p.m. Thursday spot on Sept. 22. (Trailers and descriptions of NBC's three new shows can be found here.) New drama This Is Us will debut Tuesday, Sept. 20, after The Voice's Tuesday airing and will remain at 10 p.m. for three weeks until moving to its regular 9 p.m. slot on Oct. 11

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As the 2015-16 Season Wraps Up, CBS Declares Victory in Total Viewers and Adults 18-49

May 24, 2016  |  Media Week  |  No Comments

The 2015-16 TV season ends tomorrow, and CBS—with a big assist from Super Bowl 50—has declared victory across the board. The network will finish this season No. 1 in total viewers (10.9 million), adults 18-49 (2.3 rating) and adults 25-54 (3.1 rating). While the network routinely wins each season in total viewers—this is the eighth straight year it has done so—this is only CBS' second season win in the coveted 18-49 demo during the last decade (see below). NBC, which won the 18-49 crown the past two years, slipped to No. 2. The network got a big assist from Super Bowl 50, which drew 111.9 million viewers in February , just as last year's Super Bowl helped NBC secure the top spot for the 2014-15 season. Leslie Moonves, CBS Corp. chairman and CEO, preemptively declared victory last Wednesday during CBS' upfront.

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Why Telemundo’s Boss Is Keeping His Sights Set on the Other Football

May 16, 2016  |  Media Week  |  No Comments

Specs Current gig Chairman, NBCUniversal International Group and NBCU Telemundo Enterprises Previous gig President, Univision Networks Age 42 Twitter @cesarconde_ Adweek: You have a big portfolio as chairman of the NBCU International Group and Telemundo Enterprises. Where is your impact felt most? Cesar Conde: It's an incredibly fast-growing market, and we have probably the most compelling suite of products, regardless of language, that help our clients tap into this high-growth market. Historically, there's been a tremendous amount of focus on the U.S. But over the last few years we've started to build our business outside of the United States. You moved to NBCU almost three years ago, after 10 years at Univision. What's the biggest difference culturally between the two companies? What I have really enjoyed about being a part of Comcast NBCU is that we have a real mentality of running our businesses as owners, not renters. We really believe in making the investments in our businesses that will deliver long-term results

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NBC’s Robert Greenblatt Has No Regrets About His Surreal Upfront Duet with Dolly Parton

May 12, 2016  |  Media Week  |  No Comments

NBC Entertainment chairman Robert Greenblatt hates sitting through upfront events as much as you do. "I think those upfronts tend to be just mind-numbing for the audience. They go on too long, and we show clip after clip and they become routine and formulaic," Greenblatt said. So as NBC was preparing for last May's presentation at Radio City Music Hall, Greenblatt was eager to shake things up. "I thought, is there something that we can do that just feels different?" The result was surprising and surreal : partway through the proceedings, Greenblatt introduced Dolly Parton, who performed her song "Coat of Many Colors," which was the basis for the first of several movies NBC was going to make based on her life and music. Then, she asked Greenblatt to join her on "I Will Always Love You" —and he did. While the exec held his own on the piano ("He usually sings with me," Parton said), it didn't make the spectacle any less bizarre. "People thought, 'What is he thinking?'" said Greenblatt. Still, the duo received a standing ovation as Parton cracked to advertisers, "we're looking forward to many projects, so get that money out!" A year later, Greenblatt said he "can't articulate" what prompted him to make the movie deal with Parton. "It was just kind of a gut instinct, even though doing a holiday family movie with Dolly Parton probably sounded as silly as doing a live musical called Sound of Music," said Greenblatt. "It seemed like a good idea. I've known her for years, and I've done other things with her"—including producing the Broadway musical based on her film 9 to 5, which Parton wrote the music and lyrics for—"so I knew that there's a certain base level of belovedness for her." It was that same gut instinct that led to last year's upfront duet. "I wanted to do something at the upfront that was going to not only get attention, but be fun for us and for the audience," Greenblatt said. "And that was organic and seemed to be a good idea at the time, and it worked." It did, but it also became a running punch line through the rest of the week's upfronts. "Oh yeah, like Jimmy Kimmel calling me a fool, I think he said," recalled Greenblatt

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NFL Reveals the 10 Games That Will Air on Twitter Next Season

April 15, 2016  |  Media Week  |  No Comments

The National Football League, in its attempt to remain relevant throughout the entire six-month offseason, turned the release of the 2016-17 schedule into a TV event. Thursday night, ESPN produced a 2-hour special in conjunction with the league, with more coverage on the NFL Network. The news also came in a flurry of press releases from Fox Sports, CBS Sports, ESPN and NBC Sports, which blared "THE ONLY NETWORK WITH TWO NFL PRIMETIME PACKAGES." Cord-cutting football fans also learned which games will be streamed on the league's newest media partner: Twitter. Here are the games that will be available on Twitter next season: Sept. 15: New York Jets at Buffalo Bills Sept. 22: Houston Texans at New England Patriots Oct. 6: Arizona Cardinals at San Francisco 49ers Oct

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NBC and BuzzFeed Will Replace 30 Minutes of Commercials With Branded Content

February 26, 2016  |  Media Week  |  No Comments

When BuzzFeed announced Thursday it had hired its first executive creative producer to start ramping up content for brands , we didn't think the results would come this quickly. In its first sales partnership since NBCUniversal's $200 million investment , the BuzzFeed creative team has developed branded content for American Express that will replace about 30 minutes of national ad spots during prime time Monday. The Leap Day stunt is no small feat considering a typical hour of prime time has around 16 minutes of commercial time. The stunt will begin on the Today show and continue into prime time during the return of Blindspot and The Voice. The campaign culminates on Late Night with Seth Meyers. Some of the content features Today hosts Kathie Lee Gifford and Hoda Kotb, a mini-documentary of The Voice's Season 9 winner Jordan Smith, and the cast and creator of Blindspot discussing fan theories. "We're partnering with NBCUniversal in this first-of-its-kind campaign to provide viewers with relevant, exciting content across broadcast, digital and streaming properties to reinforce our message: American Express gives you more," said Joe Bihlmier, vp, global media at American Express. "This campaign also aligns with our customer-centric approach to add more value for our customers where we know they are," he said. Along with TV spots, BuzzFeed will create shareable content for social that will live on BuzzFeed and the participating shows' websites and social media channels. The multiplatform partnership will continue through Thursday across NBC's digital platforms, including over-the-top apps.

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Infographic: Do TV Shows Leading Out of the Super Bowl Gain Long-Term Viewers?

February 2, 2016  |  Media Week  |  No Comments

With the large, and usually record-setting, audience that tunes into the Super Bowl, the network fortunate enough to air it has a prime opportunity to showcase one of its top shows in the lead-out slot. However, despite the larger-than-usual audiences that tune in right after the game, few actually stick around in the subsequent weeks. In fact, the last three shows to get that plum spot saw slight audience decline from their pre-Super Bowl episode. Infographic: Carlos Monteiro This story first appeared in the Feb. 1 issue of Adweek magazine. Click here to subscribe

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