Posts Tagged ‘media’

Chobani Tells Inspiring Team USA Stories in Its Multifaceted Olympics Campaign

July 7, 2016  |  Media Week  |  No Comments

Olympic athletes need to put good stuff into their bodies in order to succeed. But good food alone won't win them any medals at this summer's games in Rio, according to Chobani's new multifaceted Olympics campaign in which athletes need to eliminate all the bad stuff in order to win. Stemming from the idea that Chobani helps power Olympic athletes with its all-natural products and a belief on the part of the brand's founder that "you can only be great if you're full of goodness," Chobani has launched a huge Olympics push, including TV spots, newly designed packaging, social components and more. The campaign, centered around the slogan "No Bad Stuff," stars a diverse crew of Team USA hopefuls including soccer star Alex Morgan, decathlete Ashton Eaton, boxer Marlen Esparza, paratriathlon competitor Melissa Stockwell and wrestler Jordan Burroughs, among others. The five athletes star in a larger anthem spot as well as shorter 30- and 15-second spots, created in partnership with agency Opperman Weiss, all meant to showcase how Chobani and the athletes don't allow bad things in their products, bodies or lives. "In order for these athletes to really reach their ultimate place of greatness it's not only that they can't let shitty food get into their body—they can't eat sugars and preservatives and chemicals and all that stuff—but they also can't allow negativity into their being and spirit, whether that's racism or hatred or jealousy or pride, all of those things that are blocks to greatness to athleticism," Jeff Weiss, Opperman Weiss co-founder, told Adweek. Chobani carefully selected the athletes featured in the campaign, spending roughly four months finding a diverse group of competitors that not only have the potential to win medals but have also overcome adversity to get to the level they're at today. But beyond selecting athletes with a chance to medal for Team USA in Rio, Chobani also wanted to work with athletes who love its product and consume it regularly, and also "have very strong values, beliefs and work ethics [and are] wonderful community citizens," Peter McGuinness, chief marketing and brand officer at Chobani, told Adweek. In the 30-second spots, Chobani dives deeper into individual athletes' stories, showing consumers how each one overcame adversity—Morgan's coach telling her, at the age of 13, that she would never be a great soccer player, for instance, or Esparza proving that women can kick butt in the boxing ring. Each athlete's story is, of course, inspiring. But perhaps most inspiring of the 30-second spots is Stockwell's

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Why Big Brands Are Suddenly Getting Cozy With Reddit

June 20, 2016  |  Media Week  |  No Comments

Just six months ago, Reddit—whose famous slogan is "The front page of the internet"—was a dangerous place for marketers because of its reputation as a pool of trolling and harassment. Now, the viral-minded site is trying to flip the narrative and draw in advertisers with new ad targeting and buying technology and an in-house studio that specializes in creating custom content. And heavy-hitter brands including Coca-Cola, eBay and Procter & Gamble have all come on board in recent months. "What makes Reddit distinct from an advertising perspective are the same qualities that make it distinct in organic spaces," explained Zubair Jandali, vp of sales at Reddit. "We have 70,000 active communities—few places on the web have audiences that are as passionate as ours." Data backs up Jandali's claim. The publisher's traffic hit 51.4 million monthly users in May, up from 28.4 million a year before, according to comScore. It's the kind of stat that seemingly flies in the face of accusations that Reddit's audience is too niche—and sometimes too cruel—for brands to take seriously. But the goal is simple: capitalize on the massive momentum around native advertising with a specialized team to create content, much like the in-house agencies that have made big-name publishers including The New York Times, The Atlantic and Vox Media leaders in the space

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How Advertising on Different Types of Media Affects Sales of Consumer Packaged Goods

June 14, 2016  |  Media Week  |  No Comments

The increase in sales that consumer packaged goods brands can expect as a result of ad campaigns varies widely by the media platform used to distribute those ads, according to a new study presented today by Nielsen Catalina Solutions at the Advertising Research Foundation's Audience Measurement 2016 conference in New York. To determine how spending on media directly affects sales, Nielsen analyzed more than 1,400 campaigns from 450 CPG brands in seven categories (baby, pet, health and beauty, general merchandise, food, beverage, and over-the-counter products) over 11 years and compared that with in-store purchase data. To determine which advertising platforms drove incremental sales, NCS isolated households that had been exposed to certain types of media—TV, online display, video, mobile, cross-platform and magazines—and compared their buying habits with those of unexposed households. The study found that magazines showed the highest return on advertising spend (ROAS) across all CPG categories, with an average return of $3.94 for every ad dollar spent. Display ads followed with an ROAS of $2.63. Digital video had the lowest ROAS at just $1.53. It was a different story, however, when the incremental sales driven by each media platform were compared with other audience metrics, including the number of households exposed to that platform and the number of impressions the campaign created. Nielsen found that TV drove the highest incremental sales per exposed household ($0.33), while display drove the lowest ($0.19). Mobile advertising resulted in the most sales per 1,000 impressions (an additional $26.52), while display ads resulted in the least ($16.96). Nielsen also studied the data for specific CPG categories, determining that baby products had the highest ROAS across all types of media, while over-the-counter had the lowest. Broken down by media platform, display advertising drove the highest ROAS for baby products, pet products and beverages, while magazine ads garnered the highest ROAS for food, general merchandise, health and beauty, and over-the-counter products.

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Publisher Reach on Facebook Is Down 42%

June 3, 2016  |  Media Week  |  No Comments

Publishers who have noticed their overall reach on Facebook has dramatically declined over the past few months can at least have peace of mind that they're not alone. According to an analysis by SocialFlow, publishers on Facebook have experienced a rapid decline in overall reach during the past few months. The social analytics company examined 3,000 Facebook pages, most of which are publishers who have a collective annual impression count of around 500 billion reaching 600 million unique users. And what it found might be a bit depressing to all the hard working journalists of the world: In May, publishers produced around 550,000 posts that went through SocialFlow's platform—up from 470,000 in April—but overall reach from January to May was down 42 percent per post. That's a "pretty notable drop," said SocialFlow CEO Jim Anderson. "We said, wait a minute, if the reach is staying flat but the posts are going up, the only possible conclusion there is that my reach per post is going down," he said in an interview.

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3 Surprising Lessons a Major Nonprofit Learned When It Analyzed Its Advertising

June 1, 2016  |  Media Week  |  No Comments

Nonprofits rarely have the luxury of big advertising budgets, and it's not often they get a chance to analyze whether their ads are working. But a new study may help shed some light on the kinds of ads that actually help drive donations. Market research firm Millward Brown and the Ad Council recently set out to study the impact of a PSA campaign for Goodwill. The Ad Council, which relies on donated time and space from media partners, received more than $94 million in donated support for the Goodwill campaign, running from September 2013 to April 2015 and resulting in 363 million pounds of donations. The research wanted to determine whether changing the nonprofit's mix of TV, digital, print and radio advertising could increase donations, said Ellyn Fisher, svp of public relations and social media at the Ad Council. With such valuable data, Goodwill could make sure it was focusing on the right kinds of ads in future campaigns

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These 5 Great Campaigns Won Black and White Pencils at 2016 D&AD

May 20, 2016  |  Media Week  |  No Comments

Two Black Pencils, three White Pencils and 61 Yellow Pencils were handed out Thursday night in London at the 54th D&AD Professional Awards Ceremony. Winning an ultra-exclusive Black Pencil were U.K. technology startup what3words for "The World Addressed," a campaign to gives every 3-by-3-meter square in the world an address; and Japanese design firm iyamadesign for its spatial design of the "mt expo 2015" on behalf of masking tape brand Kamoi Kakoshi. See videos about those campaigns here: Adweek responsive video player used on /video. Adweek responsive video player used on /video.

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The Company Behind Uproxx Targets the Elusive Millennial Male in New Partnership with Forbes

May 6, 2016  |  Media Week  |  No Comments

The millennial male is one of the toughest demographics for brands to attract. Digital media companies struggle to figure out what exactly makes young guys tick. Woven Digital thinks it knows. Led by CEO Colin Digiaro and Chief Creative Officer Ben Blank, Woven is a pop culture-focused digital media and content company that's home to guy-friendly brands such as Uproxx, BroBible, Dime Magazine, and most recently, HitFix. It's presenting its new slate to advertisers tonight, capping off the first week of the Digital Content NewFronts. In person, Digiaro and Blank are laid back, engaging guys who are passionate about their work and confident in Woven's ability to capture this notoriously hard-to-reach audience. Woven claims half of 18- to 34-year-old men have visited the network of sites, which boasts 60 million monthly unique visitors and 120 million monthly video views. Its recent acquisition of popular entertainment news site HitFix will only add to that number. Woven produces a myriad of digital series for Uproxx. The ad-supported episodes are typically 5-to-10 minutes, focusing on a range of topics like science and tech (Luminaries), music (Uncharted), sports (Underbelly) and stories of inspiration (Human). Digiaro and Blank made it clear that millennial males have varied interests, and that these short docuseries allow sophisticated young guys to tell their personal stories and show off their talents and passions. Woven has partnered with Honda, Toyota and MillerCoors in the past, and this fall, it will partner with Forbes for the launch of Forbes Founders, a new video series centered around unique stories of millennial entrepreneurs. "We develop shows and share stories that are many times overlooked by traditional media outlets," said Blank. "Partnering with Forbes to find and highlight some of the most intelligent and intriguing millennial entrepreneurs out there allows us to continue pushing the boundaries of traditional storytelling." Woven and Forbes collaborated to identify and feature interesting, smart and capable millennial entrepreneurs who want to change the way people live and succeed, now and in the future. "Forbes Media is always looking for new and unique ways to engage with its audience," said Tom Davis, Chief Marketing Officer at Forbes Media. "The Forbes Founders video series is aligned with our mission to share interesting stories of success and highlight what entrepreneurs do with that success." The Forbes Founders series is the newest addition to the Woven Digital Original series slate, and will begin airing in Fall 2016 on Uproxx, Forbes and other Woven Digital properties.

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Hulu Is Targeting Living Room Viewers With New Interactive Advertising Deals

May 4, 2016  |  Media Week  |  No Comments

Hulu spent much of last year improving the quality of its content and striking big deals for new and acquired series like Casual, Difficult People, The Mindy Project, 11.22.63 and all nine seasons of Seinfeld. This year, the streaming service is focusing on improving the experience of watching that content, especially in the comfort of viewers' own homes. Hulu's subscriber base has grown more than 30 percent from last year, and will reach 12 million U.S. subscribers by this month. "Hulu is TV, and the fact that 70 percent of our viewing happens in a living room environment just reinforces that idea to the market," said Peter Naylor, svp of advertising sales with Hulu. That's why many of the company's big announcements at Wednesday morning's NewFronts event at the Theater at Madison Square Garden center around initiatives relating to what Naylor calls the "living room," but refer to any viewing via connected TV devices like Roku, Apple TV, PlayStation or smart TVs. Hulu has teamed with interactive advertising company BrightLine to bring interactive advertising to connected TV devices for the first time. Havas Media will be the exclusive charter agency for the new ads, which debut on Hulu this summer. It will allow viewers to interact with the creative itself much as they would on a computer or mobile device. They can click on the ad and be taken to a site or page with details about a particular brand

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Editor’s Note: Video Is the Latest Battlefront in the Struggle for Consumers’ Attention

May 2, 2016  |  Media Week  |  No Comments

In pulling together our annual Video Issue this year, which we publish on the first day of the fifth annual Digital Content NewFronts , I had to gut check our coverage plan several times as news hit during the weeks just before deadline that altered and elevated digital video's place in the media and marketing landscape. Facebook, for example, continues to shape the future. Video is definitely a priority for the social giant, and Facebook Live video content is being created by a wide array of publishers, including Adweek, and viewed there at growing pace and volume. And at its F8 conference earlier this month, Facebook dropped a considerable amount of new innovation into the marketplace that will have a material effect on video and pretty much every modern media form. I'm still noodling over the mashup of Messenger, brands and chatbots. Is it AI-powered marketing at scale?

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Put Away the Selfie Stick and Live Like a Local, Urges Airbnb’s New Campaign

April 19, 2016  |  Media Week  |  No Comments

Travelers today, especially those using Airbnb to find lodging around the world, don't want to navigate throngs of other tourists for a glimpse of Times Square or Fisherman's Wharf. According to data from Airbnb, 86 percent of its users pick the platform because they want to live more like a local. That insight of living rather than visiting inspired the brand's latest and largest marketing campaign, "Live There." "Don't go to Paris. Don't tour Paris, and please don't do Paris," the ad's narrator advises over footage of selfie sticks and packed tour boats. Instead, the ad advises, "Live in Paris." The work, from agency TBWAChiatDay is aimed at younger travelers, or at least those young in spirit. It's focused not just on the millennial generation, but also on those who want to eat at local restaurants, meet local artists and avoid tourist traps. According to Airbnb, 52 percent of these younger-minded U.S. travelers find crowds at major tourist attractions to be more stressful than doing a tax return, while 47 percent don't like to be labeled as tourists when they go to a new place. With that in mind, Airbnb CMO Jonathan Mildenhall said he wanted the brand's latest work to push back against the modern tourism industry and capture the idea that people shouldn't simply go to a new place, they should live there, even if only for one night

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