Posts Tagged ‘cbs’

How Super Bowl 50 Could Give a Boost to Verizon’s Go90

February 5, 2016  |  Media Week  |  No Comments

While Super Bowl 50 could set another TV viewership record, the audience that matters most to advertisers–adults 18 to 49– has been largely stagnant in recent years. But that may have to do more with where this crucial audience segment is watching the game, than whether they're watching it at all. For the fifth year in a row, the Super Bowl will be streamed over the Internet and on mobile phones, a tally that is not included in Nielsen's TV audience number. And while CBS is hoping most of those digital viewers will watch on CBSsports.com or its apps on connected TV devices and tablets, Verizon could steal some viewers who watch on its nascent mobile-TV service, go90 . Thanks to Verizon's existing deal with the NFL, as the exclusive mobile provider for live games, Super Bowl 50 will be available to go90 customers, with a catch: While go90 is available to non-Verizon users, the NFL mobile content is not. Super Bowl 50 is also available on the NFL's mobile app, but again, only for Verizon's 112 million wireless customers.

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Philippe Dauman Named Executive Chairman of Viacom, As Sumner Redstone Steps Down

February 4, 2016  |  Media Week  |  No Comments

Just 48 hours ago, Sumner Redstone was the executive chairman of both CBS Corp. and Viacom. But now, he has been replaced at both companies. Today, Viacom announced that its president and CEO Philippe Dauman had been named executive chairman, replacing the ailing Redstone, who is 92. Yesterday, CBS Corp. appointed Les Moonves as its chairman , after Redstone had resigned on Feb. 2. Redstone, who vowed never to retire (even going as far to declare that he would never die ), is now chairman emeritus at both companies. The news comes two weeks after Viacom and CBS were sued by a shareholder , who questioned Redstone's mental competence—which led investors to wonder whether Redstone should continue running both companies. "In choosing a successor to Sumner, the board considered the need for seasoned leadership in this time of unprecedented change, Philippe's business experience and unparalleled knowledge of Viacom and his long-term vision for the company," said Viacom board member William Schwartz in a statement. "We believe his becoming executive chairman is in the best interests of the company and all shareholders." Dauman's appointment had been challenged by Redstone's daughter, Shari, who is vice chair of CBS and Viacom. She said in a statement yesterday that while she fully supported Moonves as CBS chairman, "it is my firm belief that whoever may succeed my father as chair at each company should be someone who is not a trustee of my father's trust or otherwise intertwined in Redstone family matters, but rather a leader with an independent voice." That was a slap at Dauman, who was given authority last October to make healthcare decisions for Redstone if he should become incapacitated. Following CBS' lead yesterday, Viacom had initially offered Shari the position of non-executive chairman, but she declined and will remain in her current role. "I am honored to succeed my friend and long-time colleague Sumner in the role of executive chairman. His steadfast belief in our company and the power of entertainment will always be an inspiration for me and I look forward to carrying forward his leadership role as a champion for all shareholders.

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In New Thursday Night Football Deal, CBS Will Share Games With NBC

February 1, 2016  |  Media Week  |  No Comments

After sharing the slate of Thursday night NFL games with the nascent NFL Network for the last two seasons, CBS is now forced to share the lucrative franchise with one of its broadcast rivals: NBC. As the NFL takes over the Bay Area this week for Super Bowl 50, the league has reached a new two-year deal for its Thursday Night Football package, adding NBC to the mix. Under the new deal, CBS gets five early season Thursday night games, with NBC getting five late-season games and the remainder going on NFL Network. The league is also looking to cut an additional streaming package with Yahoo, Google or Apple that would put even more money in its coffers. An announcement on that is expected in the near future. "We are continuing to make Thursday Night Football bigger and better," said Commissioner Roger Goodell." CBS has played an integral role over the last two seasons in helping build Thursdays as a night for NFL football, and we're excited to have them on board again," Goodell said. Goodell said he's "thrilled to add NBC to the Thursday Night Football mix," calling the network "a trusted partner with a proven track record of success broadcasting NFL football in primetime." NBC will continue with its Sunday Night Football package. With 22 million viewers, it's the most popular show on broadcast TV. Thursday Night Football was the 4th-most watched this season averaging 17.7 million for CBS. CBS and NBC will pay the league between $450-$500 million, according to multiple reports . CBS paid an estimated $300 million for its eight-game slate this past season. The deal puts 10 games on broadcast TV, up from eight the past two seasons. But the league needs to maintain a certain amount of games exclusive to NFL Network due to its carriage deals with satellite and cable operators; the NFL Network will maintain exclusivity on eight games next season, and will get production assistance from both CBS and NBC. The deal is a major win for NBC. Once Must-see TV, NBC Thursday's nights have suffered for the past decade.

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In a Good Sign for the Super Bowl, CBS Celebrates Highest-Rated AFC Championship in 29 Years

January 25, 2016  |  Media Week  |  No Comments

Peyton Manning's nailbiter victory over Tom Brady helped drive Sunday's AFC Championship game to its highest ratings in 29 years, according to early estimates from Nielsen. In early numbers, which will be adjusted and updated later today, CBS said the AFC Championship—in which the Denver Broncos held off a last-second comeback attempt by the New England Patriots, to win 20-18—was the highest-rated telecast since last year's Super Bowl, which drew 111.4 million viewers and a 49.7 rating in adults 18-49 . While those numbers were likely boosted by East Coast residents snowed in for the weekend by Winter Storm Jonas, they are music to CBS' ears as the network gears up to air Super Bowl 50 on Feb. 7. With an average overnight household rating of 31.8, the game was the highest-rated AFC Championship in 29 years, since the Denver Broncos beat the Cleveland Browns in overtime in 1987. The household rating was 19 percent higher than the NFC Championship game which followed on Fox, and up 31 percent from last year's AFC Championship game, which aired in the later, prime time slot. That should translate to more than 50 million viewers when updated figures are available later today. 40.7 million (14.3 rating in 18-49) watched last night's NFC Championship on Fox, where the Carolina Panthers streamrolled the Arizona Cardinals, 49-15. A reported 20.6 million stuck around for the postgame, and 13.5 million (5.1 in 18-49) watched the 10:30-11 portion of The X-Files, which because of an usually long postgame, didn't start until around 10:24 p.m. ET. It's a solid start for The X-Files, which Fox is betting will reverse the recent spotty track record of revivals and reboots . The second episode airs tonight at 8 p.m. ET/PT, the show's regular time slot. As part of the show's elaborate marketing campaign , Fox ran spots during every NFL game this season, touting the show's post-NFC Championship premiere. Its series finale in 2002 drew 13.3 million. That is an improvement upon Fox's post-NFC Championship programming two years ago, the Season 2 premiere of its Kevin Bacon drama The Following, which drew 11.2 million total viewers and a 4.4 rating in 18-49

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Why Daytime Syndication Remains a Sunny Proposition for Advertisers

January 21, 2016  |  Media Week  |  No Comments

Given the negatives that face the syndicated TV marketplace—a lack of successful new entries, immense competition from digital video for ad dollars and technology that allows viewers to watch on their own time—somehow its major daytime players stand to do solid business in the 2016 ad bonanza. There are a few reasons for this, some of it resulting from being in the right place at the right time. Stability among stalwart shows like CBS Television Distribution's Judge Judy, Dr. Phil and Rachael Ray and NBCUniversal's Ellen has given some advertisers a safe port in the stormy seas of video ad spending. "When you have really strong veteran shows where buyers know what they're getting, they become extremely valuable to advertisers," explained one syndication ad sales executive. Ironically, daytime syndication is also benefiting from one of the strongest scatter markets in recent years, sparked in part by a weak upfront last year. Plus, the race for the White House is heating up. Syndicators expect to secure a healthy chunk of the more than $8 billion that Borrell Associates forecasts the presidential candidates will spend on TV this year. Talks with Washington, D.C.-based agencies and Super PACs have already started, earlier than the previous election cycle. With the biggest financial windfall coming to local stations—beginning with outlets in early-voting states Iowa and New Hampshire—that market will soon get oversaturated, especially with so many presidential hopefuls on the Republican side. Those that might get bumped on their local buys will end up steering their funds to the national arena, including syndication. Why? The mostly female audience—daytime syndicated programs predominantly deliver women 25-54. But that demo is also valuable to pharmaceutical, retail, packaged-goods and restaurant marketers. "It's a great place to reach women," said Courtney Martin, associate director, Starcom. "We've seen just really steady performance from the syndication daytime marketplace." Lending strength to those numbers is an almost-caveman-like behavior in TV viewing. Over 90 percent watch their shows live, despite time-shifted viewing everywhere else save live sports and news. "It is rarely viewed on delay," said Bill Carroll, svp and director of content strategy for Katz TV Group

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This Is What Business as Usual Looks Like at CBS, Even With a New President

January 12, 2016  |  Media Week  |  No Comments

Meet the new boss, same as the old boss. That was the overall theme of new CBS Entertainment president Glenn Geller's first executive session with reporters at the Television Critics Association's winter press tour. Geller, who was at CBS for 14 years before taking over as president, echoed the same sentiments of dominance and stability as his predecessor, Nina Tassler, who announced in September that she would be stepping down as chairman at the end of 2015. Despite a decline in linear ratings, "more people are watching CBS shows than they did 15 years ago," Geller said. With multiplatform viewing factored in, CBS draws an average of 13.2 million viewers, a 6 percent increase over the linear-only average of 12.5 million in the 2000-2001 season. "CBS's ability to build a big audience distinguishes our brand in all parts of our business," said Geller. "We saw the marketplace turn around in the third quarter of 2015. it gained strength in the fourth quarter, and it's currently very strong in the first quarter of 2016.

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Why CBS Is Slotting Stephen Colbert After Super Bowl 50

November 11, 2015  |  Media Week  |  No Comments

CBS has invested a lot of promotional to its revamped late-night lineup this year, but next February, both Stephen Colbert and James Corden will get their biggest push yet. The network said today that it would air a live episode of Stephen Colbert's Late Show directly following its broadcast of Super Bowl 50 on Feb. 7, 2016, the first time a late-night show will get the plum post-Super Bowl slot. Following Colbert and the local news, CBS will then air a special Super Bowl episode of James Corden's Late Late Show, as the network looks to take advantage of the massive audience that the Super Bowl provides. Last year, NBC ran a special live episode of The Tonight Show, which followed an episode of The Blacklist and local news.

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‘Canceled’ is a Dirty Word This Fall, but Buyers Aren’t Panicking

November 9, 2015  |  Media Week  |  No Comments

Each year, a few familiar touchstones mark the passage of fall: trees shedding their leaves, the end of Daylight Saving Time and the ritual cancelation of broadcast's lowest-rated new shows. Yet for the first time in more than 15 years, the networks made it to November without pulling the plug on a single new series. Several freshman shows are rating a paltry 0.6 or 0.7 in adults 18-49, but instead of cancelling them as usual, networks are keeping them on the air and reducing their 13-episode orders. Fox trimmed Minority Report's count to 10, while ABC did the same with Blood and Oil. NBC cut Truth Be Told's order to 10 and took The Player down to 9.

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CBS Is Bringing Back Star Trek, But It Won’t Air on TV

November 2, 2015  |  Media Week  |  No Comments

CBS is bringing back Star Trek, but the new series will boldly go where no previous iteration of the show has gone before: on a digital platform. In a first for CBS, the network announced this morning that a new Star Trek series will premiere in 2017 on the broadcast network before moving exclusively to subscription-on-demand service, CBS All Access. This will be the first series that CBS is producing solely for its digital platform, which launched in 2014. CBS All Access, which runs $5.99 per month, currently includes the entire library of every Star Trek television series. CBS Studios International will distribute the series to other TV networks and digital platforms around the world. Though CBS owns the show, and original creator Gene Roddenberry had initially developed it for CBS, it aired on NBC for three years from 1966-1969. The short-lived series spawned a massive pop culture franchise, which has included 12 feature films—with a 13th, Star Trek Beyond, due next year—and multiple spin-off shows. The new series will be developed by executive producer Alex Kurtzman, who co-wrote and produced the rebooted film franchise, beginning with 2009's Star Trek and continuing with 2013's, Star Trek Into Darkness. CBS said the new show is not related to the upcoming Star Trek Beyond film and will feature new characters and settings. "We've experienced terrific growth for CBS All Access, expanding the service across affiliates and devices in a very short time," said Marc DeBevoise, evp and general manager, CBS Digital Media. "We now have an incredible opportunity to accelerate this growth with the iconic Star Trek, and its devoted and passionate fan base, as our first original series." The move to put the new Star Trek exclusively on a digital platform comes as the broadcast industry is looking for ways to bring in elusive millennial viewers who often eschew traditional television. CBS successfully launched Supergirl last week with an eye toward younger viewers. But overnight Nielsen ratings—especially among the adults 18 to 49 demographic that advertisers covet—have been down so far this season. Nielsen will begin to roll out its new Total Audience Measurement tool to count viewers across multiple platforms next month. Star Trek continues the trend of cable and broadcast networks banking on reboots or remakes of known properties that come with built-in fan bases. This season alone has seen TV versions of the films Minority Report and Limitless, as well as a revival of another decades-old TV show: The Muppets.

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In Just 9 Months, Comedy Central Reshaped Late Night and Kept Advertisers Happy

November 2, 2015  |  Media Week  |  No Comments

Not so long ago, Comedy Central's late-night lineup consisted of The Daily Show with Jon Stewart and The Colbert Report. What a difference a year makes. "If you had told me a year and a half ago that Jon and Stephen [Colbert] would leave within 12 months of each other and we'd launch two new series in a period of nine months, I would have gone and crawled under a rock somewhere," says Michele Ganeless, the network's president. "But looking back, it seems to all make sense now." When Colbert signed off last December as he prepared to take over The Late Show from David Letterman on CBS, Comedy Central tapped Larry Wilmore as his successor. Then in February, Stewart said he'd retire as Daily Show host by year's end. Ganeless courted major comics like Amy Schumer and Amy Poehler before offering the hosting gig to show contributor Trevor Noah. Hiring a millennial for the job "was really important, to bring new viewers in," says Ganeless. While ratings have fallen versus Stewart— Noah's premiere week was down 37 percent in adults 18-49 from a year earlier—Comedy Central stresses that the show is No. 1 among viewers 18-24 and has doubled its African-American audience in adults 18-34. Meanwhile, consumption of the show via digital platforms has jumped to 40 percent, from 30 percent last year. "That says to us we've done something right," says the exec. "He is absolutely the right guy to take this franchise into the future." Advertisers have bought in. "Demand never wavered, and when we sold the upfront we didn't change our pricing at all," says Jeff Lucas, head of sales and marketing at Viacom. "We said, 'Jon's show is getting older, and we want to be younger

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