Don Draper Gets Honest With Sally in Your Mad Men Minute [Video]

April 21, 2014  |  Media Week  |  No Comments

Familiar names and faces reappear in the mix this week, from Bob in Detroit to Sally Draper in yet another showdown with her lying dad.

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Inside Bonnie Hammer’s World

April 21, 2014  |  Media Week  |  No Comments

NBC Cable Entertainment chairman Bonnie Hammer's portfolio spans 15 networks of varying sizes and descriptions, all serving (hopefully) a different viewership. Hammer's famous for crafting programming slates with strong brand identities associated with them, so she's had her work cut out for her given the size of that portfolio. Here are her biggest responsibilities…and what she's doing with them.

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Aereo vs. Broadcast TV: The Case That Could Change Everything

April 21, 2014  |  Media Week  |  No Comments

On April 22, attorneys for Aereo and the broadcast TV networks will face off before the Supreme Court in American Broadcasting Companies Inc. v. Aereo . The closely watched case could change the course of broadcast television and determine the future of the emerging over-the-top video marketplace. With so much on the line, Aereo—fighting to stay in business—and the broadcasters that want to shut it down have enlisted the services of a couple of big-name Washington attorneys with deep ties to the high court. The Supreme Court decision , which could come in late summer, will end two years of legal battles that began just prior to Aereo’s launch in New York. What Aereo calls a technology that gets it around the copyright law to deliver over-the-air TV stations on the Internet broadcasters call a legal gimmick and a clear violation of copyright. As Aereo rolled out in other cities, broadcasters sued. Aereo won in New York and Boston but lost in Utah. When broadcasters petioned the Supreme Court last October to hear the case, the response of Aereo, knowing it faced an endless series of expensive lawsuits, was: Bring it on. The question before the court Whether a company “publicly performs a copyrighted television program when it retransmits a broadcast of that program to thousands of paid subscribers over the Internet.” What’s at stake for Aereo? If it loses, Barry Diller, Aereo’s financial backer, has said the startup is toast

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Aereo vs. Broadcast TV: The Case That Could Change Everything

April 21, 2014  |  Media Week  |  No Comments

On April 22, attorneys for Aereo and the broadcast TV networks will face off before the Supreme Court in American Broadcasting Companies Inc. v. Aereo . The closely watched case could change the course of broadcast television and determine the future of the emerging over-the-top video marketplace. With so much on the line, Aereo—fighting to stay in business—and the broadcasters that want to shut it down have enlisted the services of a couple of big-name Washington attorneys with deep ties to the high court. The Supreme Court decision , which could come in late summer, will end two years of legal battles that began just prior to Aereo’s launch in New York. What Aereo calls a technology that gets it around the copyright law to deliver over-the-air TV stations on the Internet broadcasters call a legal gimmick and a clear violation of copyright. As Aereo rolled out in other cities, broadcasters sued. Aereo won in New York and Boston but lost in Utah. When broadcasters petioned the Supreme Court last October to hear the case, the response of Aereo, knowing it faced an endless series of expensive lawsuits, was: Bring it on. The question before the court Whether a company “publicly performs a copyrighted television program when it retransmits a broadcast of that program to thousands of paid subscribers over the Internet.” What’s at stake for Aereo? If it loses, Barry Diller, Aereo’s financial backer, has said the startup is toast .

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Aereo vs. Broadcast TV: The Case That Could Change Everything

April 21, 2014  |  Media Week  |  No Comments

On April 22, attorneys for Aereo and the broadcast TV networks will face off before the Supreme Court in American Broadcasting Companies Inc. v. Aereo . The closely watched case could change the course of broadcast television and determine the future of the emerging over-the-top video marketplace. With so much on the line, Aereo—fighting to stay in business—and the broadcasters that want to shut it down have enlisted the services of a couple of big-name Washington attorneys with deep ties to the high court. The Supreme Court decision , which could come in late summer, will end two years of legal battles that began just prior to Aereo’s launch in New York. What Aereo calls a technology that gets it around the copyright law to deliver over-the-air TV stations on the Internet broadcasters call a legal gimmick and a clear violation of copyright. As Aereo rolled out in other cities, broadcasters sued. Aereo won in New York and Boston but lost in Utah. When broadcasters petioned the Supreme Court last October to hear the case, the response of Aereo, knowing it faced an endless series of expensive lawsuits, was: Bring it on. The question before the court Whether a company “publicly performs a copyrighted television program when it retransmits a broadcast of that program to thousands of paid subscribers over the Internet.” What’s at stake for Aereo? If it loses, Barry Diller, Aereo’s financial backer, has said the startup is toast

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Marjorie Kaplan Is Juggling 2 Discovery Networks Through the Upfront and Beyond

April 21, 2014  |  Media Week  |  No Comments

Specs Who Marjorie Kaplan New gig Group president, TLC and Animal Planet Old gig Group president, Animal Planet, Science Channel and Velocity Age 52 So TLC is a huge business. What’s it like handling that network and Animal Planet? I’m like a crazy person now. We’re heading into the upfront, so I’m doing two upfronts, and I’m really trying to put a stamp on what we’re doing on TLC with no time to spare. One of the things that recharges your creative cells is exposure to new things and new people. I was describing it to somebody as like being in love: You have that unbelievable amount of energy, and you suddenly don’t need any sleep. Is it possible to sustain that for long? Well, I’ve got to make sure my husband still knows he’s married to me. I don’t think it’s appropriate to expect to maintain this level of engagement on both businesses, but you do have to dive into the deep end at first. I’ve been on Animal Planet a long time, and I can trust that team to move the ball forward. What do you want to accomplish at TLC? We need to remind the TLC audience of who we are. What we see happening right now with The Little Couple is a great moment for TLC. It gives us everything everyone loves about the brand. [Jen Arnold’s battle with cancer] has a happy ending—we’re not raking the audience over the coals with the experience. It’s about seeing the love and the humor. These are not painful emotional experiences, they’re life-affirming, playful shows

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Marjorie Kaplan Is Juggling 2 Discovery Networks Through the Upfront and Beyond

April 21, 2014  |  Media Week  |  No Comments

Specs Who Marjorie Kaplan New gig Group president, TLC and Animal Planet Old gig Group president, Animal Planet, Science Channel and Velocity Age 52 So TLC is a huge business. What’s it like handling that network and Animal Planet? I’m like a crazy person now. We’re heading into the upfront, so I’m doing two upfronts, and I’m really trying to put a stamp on what we’re doing on TLC with no time to spare. One of the things that recharges your creative cells is exposure to new things and new people. I was describing it to somebody as like being in love: You have that unbelievable amount of energy, and you suddenly don’t need any sleep. Is it possible to sustain that for long? Well, I’ve got to make sure my husband still knows he’s married to me. I don’t think it’s appropriate to expect to maintain this level of engagement on both businesses, but you do have to dive into the deep end at first. I’ve been on Animal Planet a long time, and I can trust that team to move the ball forward. What do you want to accomplish at TLC? We need to remind the TLC audience of who we are. What we see happening right now with The Little Couple is a great moment for TLC. It gives us everything everyone loves about the brand. [Jen Arnold’s battle with cancer] has a happy ending—we’re not raking the audience over the coals with the experience. It’s about seeing the love and the humor. These are not painful emotional experiences, they’re life-affirming, playful shows. How is that different from the rest of the cable landscape?

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Fizzy, Busy Finale for ABC’s Scandal

April 18, 2014  |  Media Week  |  No Comments

With no fewer than four broadcast series calling it a day, Thursday night was a time for cliffhangers and farewells. But has been the case all season long, only one of these shows delivered a blockbuster audience. The season finale of ABC’s sudsy Beltway drama Scandal went off with an all-too literal bang, as a terrorist bombing changed the stakes, and the ontological status of more than one key character was thrown into question. According to Nielsen fast national data, the Season 3 closer averaged 10.5 million viewers and a 3.4 in the adults 18-49 demo, making it the second highest-rated episode in Scandal’s history. Season-to-date, Scandal is one of just a handful of network series that managed to improve its ratings versus the year-ago period.

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Meet Watch Awards Production Judge Fred Seibert

April 18, 2014  |  Media Week  |  No Comments

What’s the key to having a viral hit? Make sure that it’s funny, topical, sexy—and a little off-kilter, media mogul Fred Seibert explains. "I think that weird mostly works because it is novel," Seibert said. "It is a new twist on every day life that through contrast draws attention to itself." The founder and executive producer of independent animation studio Frederator Studios has worn many hats in the entertainment industry. Before his current job, he was the first creative director for MTV . He

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Mad Men Star Vincent Kartheiser Stays Away From Social Media

April 18, 2014  |  Media Week  |  No Comments

Specs Who Vincent Kartheiser Age 34 Accomplishments Stars as Pete Campbell on AMC’s Mad Men (Season 7 airs Sundays at 10/9c); voices Marsh Merriweather on the Fox animated series High School USA! Base Los Angeles What’s the first information you consume in the morning? Email. My computer is usually close at hand. If I’m going to work, the first media I probably consume is music in my car. How do you listen to music? I do Spotify. Every once in a while I’ll do satellite radio comedy channels, too. There’s a bunch of them—Comedy Central, Raw Dog, and Jamie Foxx has one. How do you get your news?

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