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Conversations shaping the future of emerging media
“I don’t think I can hold on much longer,” groans a soldier in “Death March,” and his sentiment is likely to be echoed by the small audience for Adolfo Borinaga Alix Jr.’s gruelingly abstract and attenuated war meditation. Deploying a curious mix of artificial scenery, extended slow-motion and black-and-white cinematography, the director seeks to suspend… Read more
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